One listen for this one.

The song sounds as though it has been deconstructed, then haphazardly reassembled. It’s an interesting piece and I think it works quite well.

I was looking to just describe the song’s instrumentation as it progressed and there are parts where that didn’t quite happen which led to me slowing down a bit more than I’d have liked. That said, I think some of this came out quite well.

Carsten Dahl Trinity’s “Everything Never Happens to Us” is from Mirrors Within.

I hope you enjoy.

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Seemingly the sounds stumble in before realigning themselves to sound more cool and smooth. However, they seem to keep tripping, though they remain steady in a sense. The bass moves in segments and the keys seem to float on by whilst percussion keeps it all soft and quiet.

Gradually things seem to shift into a descent and there’s an oddness, as though there’s some sort of attempt at what is perceived as normality but the inability to get to that stage holds on.

Keys pull away and the bass thuds out whilst percussion keeps rolling on. Keys return, eventually percussion rolls and and spreads as ripples in a sense. Then the keys start descending in echoes and, whilst there is space, there is no room for breathing.

Seemingly a joy comes through, or perhaps a sense of whimsy before the keys are suddenly struck hard. They then shift to a plink to close things at the song’s end.