One Thousand Word Challenge 235: The Salmon Waits

It has been a day. It has been a weekend. It has been a period of time in which I existed and I am continuing to exist in this present moment. I am trapped within a parcel of time. I am trapped within an eternity. Not what I’m writing about, really.

Don’t know what I’m writing about. Just throwing words together and seeing what sticks. There are a lot to get through and I am here, and I am there, but mostly here. I am here and I sit here and I write, and I do the churning. The getting out of the way. The working toward conclusion.

I am wondering how many words I can churn out at this moment. Have waited a bit late to start on much of anything, but it has been a productive day. And now I write, and I write without intent, and I write as a messy mess person writing a mess messily. That’s what I do and do it I will., and do it now I will. I will my will to write and so write I will, and I need to make sure it is messy.

You get the point.

So anyway, I was saying that I was gonna write and I am writing about how I was gonna write but I need to find a way to fight instead. Yes, I must fight the tyranny of quality and keep bringing all the crap that I can bring. I need to do that so as to be able to do the other things that I so desperately need to do when the sun rises from the pits of despair and into the armpit of despondency. It’s not a pleasant place, but there’s always a way to the nearest coffee shop where the coffee is bog-standard and overpriced, and the line goes on forever because everyone thinks it’s the best coffee out there, but you know it isn’t. You know it isn’t and yet you have to wait for it still, and it’s the most frustrating bit of your day because you stand in this line and it goes nowhere, and you’re only standing there because all the other coffee in the area is significantly worse and more expensive, but you end up getting out of the line because you need to go to work and that salmon isn’t going to hitch a ride on its own, and you’ve no idea why you’ve been paired with a fish, but that’s the way it goes, sometimes. Sometimes that’s the way the toad splays against the window, and there’s nothing you can do about it.

Suppose you could, however. Suppose you could…

And now there are all these complications in life and you just want your daily dose of forty cigarettes in one go, but you can’t even get that. You’re deprived of that which you desire and so you go to work and your eyes are watering because those onions you attempted to pickle are yet to pickle, but they’re still releasing their things that make your eyes water and sting, and what can you do about that? Nothing, and why are you attempting to pickle onions at your work desk, anyway? Don’t you have better things to do with your time, super trooper? Don’t you have places to be and people to see and hats to wear? Do you not have to deal with that salmon and all the annoyances that it provides for you? Something tells you that it hasn’t been filing its documents and filling out its reports, and you wonder why you even bother because something stinks, and it’s not the salmon. You wish it was as that would mean the locus of your problems would actually be so, but it just isn’t, and you  just want to go home.

And yet, you can’t as you need the sun to set into the kneecap of justice, but it’s still hanging around the armpit, and boy howdy it sure is a sweaty day. Who turned off the air? Who said that was allowed? Who knows, but it aggravates me, let me tell you. And let me tell you that I understand that people want to go home, but there are many levers to pull and many pulleys to lever in order to get the leverage required to get to the top, and it’s a long way to the top if you want to get there, so you best get going so you can get there in a manner one would consider as timely. Otherwise, what are you even doing? Where are going and how are you getting there? It’s these questions that one must ask when they are at their desk, for their desk is their future and their future is not set in stone. Unless it is a stone desk. Bad luck then, I suppose.

But suppose that there is no going away from everything. Suppose that everything no longer exists and all is dark. You still have to get home and that salmon is waiting there, waiting for you, and it was always waiting. Waiting in the dark, waiting for you  to make one wrong move, and it knew it would happen. It knew it would come sooner or later, and it knew that all it had to do is wait. You had no idea. You didn’t suspect a thing, and even if you had, you’d not pin it on the salmon.

You were hoodwinked. Deceived. Had no idea that this fish would be so slippery. So tricky. So able to deflect all suspicion with the laziest of ease. You had no idea and now it was there, waiting, about to make its move. All it had to do was wait for you to exit into the abyss, and that was it. And now it was happening, and you walk out, and you see it, and you’re so utterly shocked, and it says “Hey, have thirty percent off”.

The time it took to write one thousand words: 12:54:63

Absolute trash, and I’m so very happy with it.

Written at Killara.

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Five-Hundred Word Challenge 1560: Venting About Job Hunting

Currently pushing time a lot. I’m meant to be leaving to head off to my partner’s place with a detour to hang with a friend, and I’m meant to be leaving very soon. I’ve most of everything ready, but I’ve got to wait for some files to finish transferring and it’s going to take a while. But maybe I can still make the train I need to catch, and maybe I can cycle to the station I need to cycle to in time still. I don’t know. I hope.

It’s a dire time once again. Once again I’m hunting for work and once again there isn’t much time. I’m sure I’ll pull through, but this just isn’t fun. This isn’t enjoyable. I am tired of the trying. I’m tired of continuing on. I’m getting tired of doing much of anything. I feel incredibly, utterly burned out, and I just want some time to breathe, but I don’t get that. I have to keep trying to hop from contract to contract and I have to keep on trying. It’s just such a tiring process and I’m really over it. I have some stability in my life now, sure, but I just really want some work stability. I don’t want to have to keep on worrying about if I’ll have a job or not, because worrying about that is killing me.

My periods of stability have been fleeting and I have to keep fighting for them, and they never last. Of course they never last, but I’m tired of the carrot dangling that happens. Tired of the enticement. Just let me sit still for a while so I can start living my life beyond surviving.

I’m not in the worst position in the world. I know that for a lot out there I am in an enviable place in life. It’s still not great, however, and I think there needs to be more done to uplift people. Yeah, sure, I’m in a really bad situation. I don’t know what’s happening. I don’t know what’s going on. I keep on applying and I keep waiting for rejections. It’s not great. However, I have the ability to keep going. To keep trying. A lot of others don’t. In that regard I am fortunate.

It doesn’t make the situation better, however.

This weekend I’m spending most with my partner. I’m going to be spending a lot of it job hunting, however, and that’s the tiring bit. The spinning of the wheels when they’re so agonisingly close to the ground. I know something will come up, but how close to being in a really bad spot will I be before it does? How many more applications do I need to do before I get the job that isn’t a temporary contract?

And I know, applying for temp roles is going to get me temp jobs, but I’m not just applying for those. That’s just what I keep ending up with. That’s what’s tiring. That’s what’s taxing.

The time it took to write five-hundred words: 06:59:29

Look, I wouldn’t call myself proud of this bit of writing. It’s what came out, I stand behind it, but I’m not proud of it. Times are just tough at the moment. A lot of stress that feels like a partial repeat of last year.

Written at home.

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The Corellas Fly Past

Long day, so have a photo of some corellas flying past, and one changing direction… but still flying past.

I hope you enjoy.

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Self-portrait, Late 2025

This was taken on the drive home from Bathurst. I wanted to get a dramatic, moody photo of myself, and the best one I got was with my phone which I took as reference.

This is the next best one.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. The next one is hosted by Dawn of The Day After, and she has chosen the theme of “Circles”.

This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.

I hope you enjoy.

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Nobuo Uematsu: Prelude to the Void

I did this one over one listen, and I think the main reason why is that I’m highly familiar with the song. I think that, having not listened to it in a good while also helped as I wasn’t overthinking. Maybe sleep last night also helped.

Anyway, I was hoping to get a sense of where the song is used across. That didn’t come through anywhere as much as I’d hoped, but I think what I wrote works well enough in getting an idea of the song across.

Nobuo Uematsu’s (植松 伸夫) “Prelude to the Void” (“虚空への前奏曲”) is from Final Fantasy V‘s soundtrack, Final Fantasy V Original Sound Version.

I hope you enjoy.

Bass and percussion, and some wind, and another bright bit of percussion, everything forms frame, loops and repeats. Strings come in, tense, pressuring, and so do other sounds. A frame pressing down, pressing in, urging.

When brass enters and builds, the strings follow and underscore, rising and falling in smaller steps. The brass climbs, rises, falls, rises, falls, and the sounds around continue on, keeping frame, keeping space, keeping in step. Continuing on.

The strings change once more, almost play with some sort of sudden chaos, but then let tension coil again before everything cycles.

Once more, everything builds, tension keeps coiling, pressure builds, and the sounds keep on urging. They keep urging and driving forward, and within them, perhaps, is a sense of otherworldliness. Familiarity, but everything is off. Thrown together, permanent and temporary.

And those strings, once more, return to that sudden chaos. A sudden burst, but calm, before coiling once more, and once more cycling back with everything as everything fades away and the song ends.

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Willy Wagtail

I’d planned to write today but I didn’t. Instead, here’s a photo of a willy wagtail that is out of focus, but I still like. Not sure why. Think I’ve just not gotten one in flight this clear before.

I hope you enjoy.

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Talk Talk: Time It’s Time

One listen.

I planned on doing writing about this song a while ago and ended up putting it to the side. I think my feeling on it was that it was too much of a song or something, as though that’s ever a good reason to not write about music. Essentially it didn’t feel right at the time. I’ve been going through the drafts I need to wrap up before I wrap this blog up and came across the draft I saved so I could start writing about the song. Decided to give it a go.

I don’t think I did the best job I could have. Some of the song’s atmosphere came through, but I feel like I could have said more about the flow and progression.

Talk Talk’s “Time It’s Time” is from The Colour of Spring.

I hope you enjoy.

Keys make a gentle statement, and it’s not long before other instruments come in and play gentle, but excited, almost. Seemingly walking out and walking forward, or waking up to something that looks at tomorrow. Vocals drift in soon, rise and fall but remain fairly low. Clear in words, and indistinct at the same time.

The melody shifts to something a bit louder and a bit more tense. A bit more dramatic, raising something, and the vocals rise to suit. Another shift, less “flow” but still flowing. There’s more space as sounds come in and create new frame. Almost staggered, sharp, but still smoothed around. And soon they start clearing, or at least start to spread out and clutter less.

Back to the main pattern, back to calm, back to a more obvious flowing feel, but it doesn’t last long and the sounds return to a greater drama. A more overt drama. And then more space. It is cluttering, but it doesn’t feel cluttering. It feels spaced. It’s cluttered at a distance, at a particular point. And once more things spread out more. It’s as though the additional voices in this section seem to just be moved away in lines, but they remain calm and they gather again before disappearing, and something a little more loosely tight comes in, and harmonica drifts over, relaxed, and it comes to a stop.

The sounds build their drama again, and once more back to the chorus. The cluttering. The gathering. A gathering of choral voices in a chorus, and they seem to shrink before becoming more lively than they were before. And everything keeps moving and voices disappear, and there’s something here that now feels revealing. Energetic, calm, and voices are gone, and this is the climax and plays pretty and beautiful. Big and small, and there’s some words here and there, in the calm, in the quiet, in this joyous moment of the mundane, and it’s fantastic. It’s fantastic and wonderful, and so small and accepting, and walking forward with a smile, and gradually everything fades out and the song ends.

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The Water Comes Down

I took this photo toward the end of last year. I was only aiming for a good photo of the shoreline, but the way I took it creates this interesting perspective regarding how the water “sits” against the sand, I think. It does also have a bit to do with the sand and not the angle alone; I think if the sand was more uniform in type, this shot would look quite different.

This is my submission into the three hundred-and-eighty-third Lens-Artists Photo Challenge. The theme for this one is “Looking Back to #174 – Shapes and Designs“.

I’ve been meaning to share this photo for a good few weeks now, and this challenge gives a good opportunity for me to do so. Coincidentally, what I did for the last time this challenge was run also involved water.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Egídio

Ritva

Beth

This one is curated by Tina. The next one is curated by Beth.

I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.

I hope you enjoy.

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Five-Hundred Word Challenge 1559: Another Environment Rant

Here I am, writing away. Writing, weaving, writing words, racing the clock. Racing the timer. Don’t know why I am as I don’t feel like doing so at the present moment, but that is what I am doing and doing what I am doing is what I want to do. Or not. Actually don’t, really.

So sitting, writing, sweating profusely, and this is awful weather. This is undesirable weather, and where I am, it’s not as bad was it is in other locations. This is not something I can do much about, however. I just have to wait it out and hope for the best. I have to hope things cool down, but things won’t cool down. Not yet, anyway. Things are going to get worse and there’s not much of anything I can do about that, other than listen to people keep talking about how this weather is unusual but not out of the ordinary.

But you know, these are low grievances. These are low complaints. These are nothing. There are far worse things out there. Or something. Or so I’m told. I don’t want to go on about it today. I just want to sit here and write my gibberish, and try to enjoy life a bit more. Try to enjoy these last few months of this blog. Wrap it all up, get on with everything, live life and find life lived. And then… yeah. We’ll see what happens from there.

Feel like I’m in boiling water. Feel like I’m screaming at people about how we need to get out, but the others are talking about how the water’s fine and refusing to let me leave. That’s how I feel at the present moment.

This weather makes me want to scream. It makes me want to tear my hair out. We’ve not stopped fucking up the planet. We keep on going. We keep on tearing things up and we keep on pushing on and pushing through, and we don’t relent. Why? Why don’t we just accept for a change that we are causing issues? Why don’t we accept that it  won’t take much work to turn things around, but the longer we delay, the worse things will get? What is wrong with us? Are we that fucking willing to keep our heads in the sand, even as the sand takes on an increasing amount of heat? Are we willing to let ourselves be pained just that much?

Is all of this pain worth what we have in our lives? I don’t think it is. I don’t know who else does. But we need to be willing to make the required changes. Are we willing? Do we dare to reign ourselves in and be less resource hungry? Do we decide to hold back a bit? Just a bit?

It is hot and I’m not doing well in this heat, and I’ve been going on about this stuff for ages. We need to change and we can change. Will we?

The time it took to write five-hundred words: 06:01:45

I’m feeling this heat and it makes me think of the path we are heading down, and it’s not a good one. All this is concerning, and we aren’t doing enough. Is this writing worth reading? Probably not. I’m still gonna be expressing my anger, however.

Written at home.

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Underworld: Kittens

One listen and this one was good for me because I paid a bit more attention to the song than I usually would. I mean, I always do with this series of writings, but here it was quite helpful.

I’m kind of familiar with the song. Heard it used in a video after I acquired the song and album it’s from and wondered what it was, then wondered why the song didn’t sound like it did in the video, or if I’d misheard it or something. It was the same song, but I wasn’t hearing it properly. Tried listening a few times, didn’t hit. Eventually wanted to write about it, got around to doing that today and heard it differently again. Got more from the percussion and what it was doing, and how the elements all fit together and how they worked as a whole. I like the song and I like what I wrote. Not sure if I’ll spin it again for a while, but at the very least I appreciate what it’s doing, because I think what it’s doing is quite interesting.

Underworld’s “Kittens” is from Beaucoup Fish.

I hope you enjoy.

A sudden strike and rip, and another strike, and another, and then the beat kicks in properly and it’s intense. It’s pumping, and all there is is just the beat. It has a passion, and perhaps a sense of dance in it. Not rave, mind you, but dancing. Vigorous dancing. Of movement, of motion, and bits and pieces come in here and there and build on this.

That rip appears here and there too, and things keep going and the beat shifts a little. It doesn’t feel more intense or vigorous. And it mostly stops, leaving a pitter patter behind. It moves slightly, and something emerges from it. An electronic bass comes forward, playing simple and effective, and the sounds grow, then all pull away.

The main beat returns, as do the new sounds, and the combination feels sweaty. It feels heavy and sweaty, and festive in a sense. Something new comes forward, thin and unlimited, and it rises and falls, and frays whilst remaining completely solid. Sleek and continuous. Smooth, refined, messy and refined.

The beat drops out and almost feels like it sends waves through the bass, and the bass settles and disappears, and this is now a bright space. Bright, pausing for breath, building anticipation without providing a build. Not an obvious one, anyway. And it continues. This unlimited sound continues and seems to be vibrating rather than fraying. It shakes off images of what it was, and it rises and falls in seemingly rapid movement, though maybe it doesn’t at all. The beat starts returning, and an obvious build is here, but it doesn’t drag out and soon the main beat is back in full, and everything is driven. Everything is pushing onward, and it just feels so much like celebration. Blissful.

Eventually things come to a rest, and after a final percussive strike the song ends.

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