One listen for this one, and it was much the same as last in some ways. I did spend a lot of time thinking about what I was hearing, which wasn’t good, but I do think what I wrote represents the song quite well.

2814’s “２８１４スカイライン” is from 2814.

I hope you enjoy.

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A light percussion plays a gentle pattern, and something swirly spirals out from behind it. It spirals and comes forward, and within it more sound reveals itself. The percussion remains steady, unyielding, and it doesn’t need to do much more.

The sounds spiraling continue their flow, and they reveal themselves very slowly. They flow as though a fresh exposure, and within them some tension. Some foreboding comes forward, and from them structures rise and rise further, and keep on looking and reaching further still. Towering, smooth, shimmery, and as though experiencing a memory for something yet to happen.

A future comes forward, a grandness, and a discomfort among this sterility. But it’s all wonderful and cool and sleek, and it speaks of the idea of a better tomorrow, even if only in terms of aesthesis.

Buzzing shoots across the great space here and there, among curls and curvatures. something has taken off and is flying away and toward, and it’s all some sort of imposing structure and design, all woozy, spreading out and spreading forward, and toward and away, and it goes on and on, and it seems reachable through clear plastics and glasses, keeping it all out of reach, but appreciable still.

The sounds seem to heave and rise, and rise a little more. They are heaving and dragging mass with them the best they can; a congealed mass gaining more, then shrinking, diminishing to a single point compressing, minimising and getting smaller and more compressed, and somehow disappearing, then the song ends.