Demarcation Line

This photo was taken before this photo. Same storm, but a little earlier on.

I like how there’s a strong shift in light. It wasn’t as dark as it appears here, but that’s how the photo turned out so I worked with it. It’s sort of murky and intense.

This is my submission into the two hundred-and-eighty-sixth Lens-Artists Photo Challenge. The theme for this one is “Weather“.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Donna

Egídio

Ritva

Anne is curating this one. Next week Donna is curating.

I recommend participating in the challenges as they provide a fun way to interpret theme. If not participating, then at least you should still check out what others of the Lens-Artists community are submitting.

I hope you enjoy.

Unknown's avatar

About Stupidity Hole

I'm some guy that does stuff. Hoping to one day fill the internet with enough insane ramblings to impress a cannibal rat ship. I do more than I probably should. I have a page called MS Paint Masterpieces that you may be interested in checking out. I also co-run Culture Eater, an online zine for covering the arts among other things. We're on Patreon!
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8 Responses to Demarcation Line

  1. Tina Schell's avatar Tina Schell says:

    Good catch on this one SH – the cloud looks very threatening

    Like

  2. Anne Sandler's avatar Anne Sandler says:

    Wow, SH great cloud formation! It looks ominous. Great image!

    Like

  3. Wind Kisses's avatar Wind Kisses says:

    Definitely intense. We can almost feel the storm moving. And the turquoise water in the foreground offers even more interest.

    Like

  4. Sylvia Bacon's avatar Sylvia Bacon says:

    Great picture of the storm over the water, SH, don’t think I would feel very comfortable being in a boat with that behind me!

    Like

  5. pattimoed's avatar pattimoed says:

    Ohh….great moment, great image!

    Like

  6. That’s quite the storm coming in!

    Like

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