A day can make for many wondrous things to see.
I hope you enjoy.
I think this photo is both intense and and not at all. It’s a reference photo that turned out well in terms of expressiveness, but it also feels really self-indulgent.
I hope you enjoy.
This is a scene from Breath of Fire IV. Specifically, the scene where Kahn bursts forth from the sea in a wonderfully dramatic fashion. I thought it silly enough to want to capture it in MS Paint.
This took nearly three months to do. Not continuous work, and a good chunk was done over the last two-ish weeks. A lot of dealing with the aftermath of my relationship ending, and a few depressive spirals thrown in for good measure. I only had the energy to work on this here and there for a good while.
Cleaning up the clouds took a long time and I had to push myself to do it, because that felt more like busywork than any other part. Had trouble with the rainbow colours, too. Not what I’d hoped, but they work fine enough.
I left out the lens flares of the scene as it was more time I would’ve spent when I needed to move to the next thing.
Could be better, but I’m happy with the result.
I hope you enjoy.
As it’s an Australian landscape, this could almost be any time of the year. However, it was taken earlier this year in Bathurst in March, so our autumn time.
The landscape feels all moody and dry to me. A sort of starkness, though not quite.
This is my submission into the three hundred-and-sixty-eighth Lens-Artists Photo Challenge. The theme for this one is “Looking Back to Lens-Artists Challenge #106: Autumn“.
Had a quick look at what I did for #106, and this has a different feel, which I think in this case reflects more of what I look for in scenery and location than my previous submission.
The host of the Lens-Artists challenges cycles weekly between the following people:
This one is curated by John. The next one is curated by Leya.
I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.
I hope you enjoy.
This photo, whilst a reference, was one I took with a specific idea in mind. I think it would work better in better conditions and slightly different framing, and perhaps with two people rather than just myself gripping my arm, but it still gets an idea across.
I hope you enjoy.
This photo turned out well. Could have less noise, but I feel that how the shadows fall upon it make it appear striking, or at least sharp, in a sense.
I hope you enjoy.
Two sails of The Sydney Opera House, though with an intentionally obfuscating framing.
This is my submission into the three hundred-and-sixty-seventh Lens-Artists Photo Challenge. The theme for this one is “Everyone Should See This“.
The host of the Lens-Artists challenges cycles weekly between the following people:
This one is guest-curated by Joanne of Joanne Mason Photography. The next one is curated by John.
I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.
I hope you enjoy.
What you can see here is part of a structure rusting away. Layers are revealed, but this has been exposed to the elements for so long that now it’s more rust.
This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. This one is hosted by Sarah of Travel With Me, and she has chosen the theme “Ruins”.
It’s not quite a building, but it is part of a structure that has decayed. The structure is as though ruins, in a sense.
This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.
I hope you enjoy.
One listen.
Felt myself running short early on so I consciously switched where I was going, and I think doing so worked.
Hiroki Kikuta’s (菊田 裕樹) “Meridian Child” is from Seiken Densetsu 3 Original Sound Version, the soundtrack for Seiken Densetsu 3.
I hope you enjoy.
—
Dramatic sound, serious, heavy, floating in. Permeating, filling the space. It goes a little low, then pulls back a little whilst preparing for the moment. Builds, seems to speed up before switching into something far more upbeat, or at least less dire.
It’s here where the tide turns, it seems. The drama is still there; the seriousness reigns, but along this path a journey begins. It’s here where hope comes through, and resolve wins the day.
Strident are the sounds; steady, upbeat, or rather, determined. Determined and moving forward, following where the road leads. Going to the next destination.
A clearing of sorts. The sounds are lower, but the beat remains steady. There’s looking forward and disappearing off into the distance. Walking away, walking toward tomorrow, fading away at the song’s end.
So I’m looking at this particular draft and the note on it is “It’s fantasy, this one”, and for a moment I wasn’t sure what that meant. I had to think about it because that doesn’t say much. It doesn’t tell me anything. But then it did.
What happened was my memory started welling up. I started thinking about why I would note that down. It wasn’t just to make something up on the spot and put it forward to show that I am some sort of literary genius, or someone who is a master of the profound in a vague manner; it was to remind me to continue writing whiffle about my coastal fantasy.
This was originally going to be about that, but now it’s not. What this bit of writing is about is what we do to set ourselves reminders to remind us of things in order to remind us of things.
Or maybe it’s not about that at all.
So I have notes. I have a lot of notes and I cycle through things as I get to them. I get to them, I write about them and then I put them down for a bit longer, only to eventually cycle back to them, or I finish them off then and there. Notes like “It’s fantasy, this one”, somehow help me remember what I was going to write. However, usually my notes are lengthy rough drafts and far less vague.
I’m trying to remember as to why I thought that short a note would help me remember what I was going to write, but apparently it worked. And now I’m not writing about it. It’s funny how these things work, and yet it is not at all. That’s just the way life goes sometimes and you do what you can and can what you don’t, unless you file it away under “F” for “Forget about it for a while, then try to remember later”.
I wonder how many people rely on notes to get through the day. I wonder as to how many people need to maintain a continued guidance. I’m sure there are plenty and I hope it does help them feel like they’re living their lives to some extent.
I wonder if I should rely on setting myself up more notes. Maybe I should; maybe I shouldn’t. Who is to say?
So now I’m wondering more about things. What else is there to wonder about? Where is my life going? How is my life going? Can one summarise a life and things that need to be done within a few lines? Can someone capture existence in one or two sentences? How esoteric and vague can a note be before it is no longer helpful? I’m sure there are limits, but what if there aren’t? This is not a world of which I care to find out about, and so I hope I don’t, but maybe I will. I don’t know.
So I have a lot of notes I need to get through and I’m sure I will. I hope I will. Things have been slow, yet I keep on chipping away. I keep on working on what it is that I hope helps me get out of the rut I am in. I keep looking for my desire and one day it may return to me, but I don’t know. I mean, I can only try.
Maybe I need to set myself a vague note to remind myself that I have passions and I need to upwell them from all the muck they are currently preserved under. Then I can find more notes attached to them that tell me what it is that I was going to remind myself of at some point down the track, and then I can get on with the getting on and so on and so forth.
Maybe my desires are nothing but layers of notes that I keep taking from and adding to, and I accidentally took away the ones that said to ensure that those desires remained; that, despite what happened, I could still enjoy them for all they are and continue on with my life. That’d be interesting… or it wouldn’t.
But these are all things that I don’t need to think about. If I do set myself a note, however, I might just have to. And maybe I should set myself more notes that aren’t just rough drafts, but things that’ll help guide me to revisit ideas that I have and forget, or things that’ll help me stay in routine. Things that’ll keep me going through the day and keep it structures and cohesive, and that’d be great. That’d be wonderful. But maybe it wouldn’t. Maybe there is such a thing as having too many notes, and if there is… well, then what? Where do I go from there?
I can only experience the things that I experience, and I can only live the life I live. And I can fill it with notes if I so wish. I can wake up and see a note on the ceiling, then once I’m done putting on pants before heading to work, find notes in my pockets about the other things I need to check before I head off. You know, do I have my lunch with me? Do I have everything I need to have ready in order to be ready? Those sorts of things.
There are so many choices of approaching notes and there are so many ways of approaching how to make use of them. Sometimes helpful and sometimes not, they travel through time upon words written and words recorded, and they serve a purpose, even if that purpose isn’t know to the person creating them. And perhaps they need to be more abstract and esoteric in order to gain full power, but that’s something that probably doesn’t matter right now. What matters is that they exist, and they serve a useful purpose for some.
The time it took to write one thousand words: 11:16:89
I wanted to write something about the nature of notes and I kind of did that, but I went elsewhere a bit too much.
Written at USYD Law Library.