Five-Hundred Word Challenge 1236: Waiting for the Sound of Rain

Sitting here, waiting for the sound of rain to take over everything. It’s a warm day and I’m about to churn like I haven’t churned in a while and I don’t know how it will turn out, or even if I will get to the end, but I will get something done at least and something is better than nothing, or so I am told.

The days grow long, though they always are the precise length that they are. But they grow long and in that length they become like fine noodles and are quite floppy when cooked in the right conditions for floppy noodles.

There’s a breeze and there are some flowers on the frangipani outside my window, and I wondering as to what I’m currently doing. Of course I am writing, but I’m wondering what I am doing with that writing. I don’t feel that there is anything for me to try and explore right now and I am reminded that I need to do more of this in the morning rather than the evening. This is an issue, but I’m not going to worry about that at this particular moment as I need to worry about other things.

A bit of breeze comes through the window opening and I still wait for the rain, and everything looks as it does but perhaps there is something weird about it. Maybe it has to do with a sky that appears heavy, yet is not releasing. Maybe it has to do with how things appear under this particular light, but I’ve seen the outside like this plenty of times and so I’ve got no clue as to why it feels weird.

I guess that’s pretty obvious.

I think that when you’re feeling tired a lot of things will change and that change is predicated on how feeling tired can be quite distracting. Maybe.

Look, I don’t know how these things work. Ask me about the ocean and I can probably tell you some things, but anything else and I’m usually guessing. Hopefully it leads to more learning.

The rain has finally arrived, or at least it sounds like it has arrived. I could go outside and check but I don’t want to do that, but I will have to go outside soon anyway as the bins must be taken out if I am to have their contents collected. Still, I’d much rather stay here in this room and think about things that don’t matter and then organise my thoughts in a way that matters even less. It is through this that I will somehow attain something that I am yet to experience and in all of this the power of back pain will truly become eternal.

Oh, I still have a few words to go. I thought that would be enough to finish this off, but apparently I was incorrect in that thinking. Next time I’ll need to be better about the thinking, but I think that might not happen.

The time it took to write five-hundred words: 07:04:10

Not as fast as I’d hoped. I started speeding up toward the end and I think that had a negative impact. Went a bit silly.

Written at home.

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Himuro Yoshiteru: The Gate

One listen for this one.
There was a restart early as I didn’t quite get into the swing of things. After that restart everything just seemed to just flow outward.

I feel this could’ve been more representative of the song. Not sure how. I also feel the writing is a bit loose. That said, I think the sense of imagery came through well.

Himuro Yoshiteru’s “The Gate” is from View From Bottom.

I hope you enjoy.

Something like voices stretches outward and disappears to give way for something thicker whilst a beeping continues on, seemingly marking the seconds. The voices come back and find new space for themselves whilst something sudden and harshly pretty comes in. This new element is loud and prominent, and perhaps cutting.

A brief revealing of some slight space and suddenly something intense in a different way comes in. Pulses as strikes mark points and sound presses into a moment only to keep spreading and rushing. Percussion keeps space and clarity and keeps on pressing everything down but it all keeps on rising.

Something else comes in and it, like much of the other sounds stretches out and stops after each strike, or at least changes at each strike, but eventually it resists and fades out, and when it does there’s another moment of lingering sound.

This moment returns with more percussion pulsating rapidly. It is as though brief moments are flashing on by in a space illuminated by darkness. There is a sheer clarity and all is expansive, but it is enclosed. There are many events here and this sees many lives, but there is isolation and perhaps quiet too.

Once more there’s a shift and the shift sees sound stretch away and stretch onward and continue in a single moment, and all grows silent and the song ends.

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Bees on a Grevillea

I saw this during a recent walk near where I live.
There are some bees closer to home so it was nice to see them a little further away. Hopefully it’s a sign of the environmental health of the area improving, even if a little bit.

I hope you enjoy.

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A Lake in the Sky

I was hoping to have more things up today, but still going through the photos from Monday.

Anyway, here’s a photo of a patch of sky among clouds. I feel it looks a bit like a lake of sorts, but maybe it doesn’t.

I hope you enjoy.

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Poles Alongside the Road

I’m fairly certain this is the same stretch of road as seen in this photo.
Slightly different viewpoint with a bit more space.
If I remember correctly this was a quick shot. The other photo took a bit of time due to a few cars coming by.

This feels a little flat, but it gets across an idea of how sunny it was at the time. It not showing any people gives a slightly empty and dry feel too, I think.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. Participating is pretty straightforward and something I recommend. If you do, then include the tag “monochrome-madness” in your post.
If not participating, then at the least check out Leanne’s photography as well as what other people submit.

A lot of what people are submitting will likely end up here.

I hope you enjoy.

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MONO: Pilgrimage of the Soul

I’d been meaning to write this review shortly after the album came out, which was in 2021.
Things have a habit of getting away from me at times. Anyway, I wrote most of this over the past few weeks, though it was only a few hours over said past few weeks. I wrote a small chunk, then a bit more last week, then some over the past few days. Spent a lazy few hours editing this, trying to cut as much bloat out as possible. This still is long; it’s longer than it should be, but I think it reads okay.

Most of my interview and review work now appears on Culture Eater.
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We’re looking at what we can give to supporters as we don’t want to set up a one way relationship, so suggestions are welcome. Podcast Eater is one of the things we’ve got going and (aside from the next few weeks) new episodes are available through there first.

Please consider supporting, or at least sharing the Patreon page with others. Please also check out what our wonderful contributors are contributing.

I hope you enjoy.

Pilgrimage of the Soul is another solid MONO album. Of course that doesn’t say much about the album, or MONO really. To say a bit more, MONO are a band that often sound like they want to express through narrative; As such, Pilgrimage of the Soul is conceptual, or at least it feels conceptual. It also shows a band comfortable with their sound, and confident enough to to keep growing.

Anyway, with all of that out of the way, it’s time to ramble about the album.

“Riptide” begins soft and gentle. It seems innocent and joyous; there’s an undercurrent of unease, but it paints an idyllic image. Suddenly the song grows violent and heaving. Moments of relative quiet find themselves interspersed among the violence and terror, and the song roils and rages, and perhaps it is too late, as that’s the thing with riptides; It’s quite possible to not know you’re in one until it’s too late.

“Imperfect Things” also starts soft, though it feels more like something trying to reconcile an occurrence with a realisation. Eventually thick bass, percussion and guitar come in and travel some sort of wide space with a steady, pumping beat and a strict focus. MONO push on and move closer to something, then disappear into the loop that started the song off. “Imperfect Things” carries a sense of aggression, but it doesn’t rage in the way that “Riptide” does. Instead, it turns it into something seemingly more moody, directed and revealing.

“Heaven in a Wild Flower” seems more reflective and is much calmer than the prior-two songs. Throughout there’s a fantastic use of space to let sounds linger beyond their end, creating a sense of tenderness. Eventually strings and brass rise up, adding to the piece’s breadth and beauty, before settling down and relaxing. The space is still there and it helps to ease the song into silence.

In a way “To See a World” is an oddity as it seems to indicate a swing back to liveliness. It’s more “rock” than “Heaven…” and has this rolling, tense thing going on; it feels almost like dancing and it flows really well. However, it seems to function more as a swerve as “Innocence” – at least in terms of sound – follows “Heaven…” more obviously. Perhaps that was the intention; to disrupt a perceived natural flow. It’s also possible that “Heaven…”, “To See a World” and “Innocence” function together through the contrast.

Speaking of, “Innocence” is peaceful, seemingly fragile and gentle, even when it gets lively. It also feels like an outpouring of emotion. Among the space are occasional bursts of sound, and perhaps it is a mourning. It rises and falls with as much drama as necessary and stays concise throughout. The song closes with a passage that seemingly references “Heaven…”. It feels like a reflection before moving forward.

“The Auguries” returns to tension and pressure, establishing a sense of urgency early on. As a display of showing how each member of MONO works together and why they work together well, this is a great piece. There’s growth and change only when required and everyone layers themselves without playing over each other. They let the piece go heavily into the dramatic, but they hold back just enough to prevent it from losing its shape. At the end it seems like one of the guitars is crying, or at least vetting; it’s a big moment, but it’s not victorious. Of course a lot of MONO’s music is usable as an argument for their ability. That said, it really shines here.

“Hold Infinity in the Palm of Your Hand” is where Pilgrimage of the Soul puts its massive climax. It starts as a gentle flow upon an eternal hum. Eventually gentle percussion comes in, playing on top of the foundation. It’s not long before guitar starts moving with the percussion, and it’s only a little bit longer before more percussion comes in, punctuating and flowing along with what’s already here. Eventually the guitar fills out and bass joins in; strings move in and flow between loud and quiet, emphasising and teasing out the song’s inherent drama.

There comes a moment to breathe and the piece starts building once more. It’s slow, it’s steady and it’s allowing space, and soon it becomes loud again. The sound starts spreading outward whilst encompassing something that seems so incredibly personal, yet utterly universal. MONO unleash and everything drives on forward. Like so many climaxes it is cathartic and beautiful, but it feels natural. It’s something that reaches out and connects in a meaningful way.

Eventually “Hold Infinity…” closes with controlled noise moving into silence. Rather than feeling conclusive and triumphant, however, it moves into uncertainty. It seems definitive, but it leaves a little something to linger at the end.

“And Eternity in an Hour” follows with piano and string weaving acceptance and peace. There is a sadness to it; It seems to look back over the previous songs. The strings grow heavy, lower keys mark a step of sorts and this is where Pilgrimage of the Soul draws its close; with something reflective and quite purposefully final. The album is at peace, and it rests.

Pilgrimage of the Soul is an album that you need to make time for. Sure, it’s easy enough to throw on in the background and let it go on by, occasionally picking out bits whilst having the rest fade into the background, but there’s a lot missed as much of it, like previous MONO endeavours, comes through when listening.

I don’t think I’ve done much to argue in its favour here; all I’ve done is describe the songs as best I can. What I can say, however, is that, whilst in a way demanding, once it clicks Pilgrimage of the Soul becomes a gripping experience.

Pilgrimage of the Soul is available here.

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Five-Hundred Word Challenge 1235: Sore in a Good Way

So I was hoping to have something done before midday, but it was not to be and now I’m here writing. In a lot of pain; it’s from being on my feet for most of yesterday, but it’s a good pain, I think. It reminds me that I need to start really working toward spending less time sitting down and more time being active, but active where I can; I don’t want to overexert myself.

So a lot of moving about and standing and there was little sitting, but it was good. It was good exercise and it was good learning and all that stuff, and it makes me desire getting into regular and hopefully consistent photography work. Obviously there is the enjoyment of doing photography, but there also is the desire to get out of an office job and into something I’m much better at doing.

Of course there now is the process of going through all the photos I took, which I feel may have been far too many, and processing the ones that work and sending them off but it’s still a vital part of the process of learning and so it is something that I welcome. I might not later, but right now I’m completely down for it and so it soon will be something I dive into. There still are, as always, other things I need to deal with.

I was hoping that most of this would be bitter complaining regarding being sore, but I don’t have anything to go on with that. I’m sore, I’m in pain but it’s alright. Perhaps that speaks volumes about how much I enjoyed the experience; I don’t know. Maybe it means that I’m just not in the right frame of mind to complain about something that is rather minor. It’s certainly quite prominent, but ultimately it’s a minor thing and I’ll be alright in a day or so.

I guess I just don’t have much to say right now, and maybe that’s a good thing. Maybe it’s better that I stop and work on other things so as to be able to get on with the getting on and all that. I don’t think I can write much about my enjoyment of yesterday’s events as… well, I feel like I’ve covered it well enough.

Ultimately with yesterday I’m hoping I’ve done well enough to be able to get more work. Just need to keep working at it and chipping away and maybe, hopefully I’ll get to where I want to be and then I’ll be set. It’s hard work but it’s good work and it’s something that I’m quite capable of doing. To be honest I’m more tired from the lack of sleep last night than I am from working on the shoot. Maybe over time that will change, but at least right now it’s something I’m quite keen to keep on doing and so… yeah.

Should’ve taken far less photos though. That is gonna be a slog.

The time it took to write five-hundred words: 08:02:46

Slow again and I think that is in part the combination of being sore and tired.
I think that’s also why this just kind of stays really flat the whole way through.

Written at home.

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Five-Hundred Word Challenge 1234: Peeling an Egg Whilst Driving

You ever tried to peel an egg whilst driving?

Today I was working on a music video shoot. I was there to get behind the scenes stuff and it was great fun, but I had to leave the house in a hurry to get there as I spent time making breakfast and that wasn’t a good idea.

I drove off and drank my COFFEE and ate a carrot as that was easy. Thought I could eat my eggs when I got there. However, as I thought more about it I realised it would be a better idea to eat the eggs beforehand. I figured I wouldn’t have much time to eat and I made the right decision as when I arrived it was pretty much go time.

So anyway, as I was driving there I eventually started working on eating the eggs I boiled. The first one I cracked by pressing down on it really hard. Eventually the shell shattered and so I had one hand feeling around and taking off the various bits of shell. It probably didn’t take that long but it felt like it took a while. I got there and I had my egg.

The second one I tried to crack by banging it against the inside of the container I had the eggs in and that worked, but the shell once more was in lots of small pieces and so I spent a good deal of time peeling that one too, which was not fun. Of course I had my eyes on the road and of course I had one hand on the steering wheel, but it did not feel safe and it’s definitely something I don’t recommend.

If there’s anything I’ve learned from this, it’s to just wait and not worry about that kind of thing. I didn’t cause any accidents and I didn’t get in the way of anyone, but I don’t think it was worth the risk. If I didn’t get to eat my eggs then such is life. There are worse things out there that could’ve happened and increasing the chances of those things happen is not something that I enjoy doing much, if I am to be honest.

The shoot was fun. There’s not much else I can say about it. I’m not sure how much I can say about it either, but it was fun and I enjoyed it and I hope it’s something I get to do in the future. It’s a nice challenge and it offers more ways of learning new things whilst developing my skills, so… yeah.

I can confirm that it  is much safer than peeling an egg whilst driving. In fact, I’d highly recommend it over peeling an egg whilst driving as you’re not controlling a vehicle that could cause some severe damage to someone when you’re taking photos. You could do some serious damage with a camera, but it’s probably more difficult to do so.

I hope it’s more difficult. Maybe it isn’t.

The time it took to write five-hundred words: 08:51:84

This took a while to write and I think it’s due to how tired I currently am.
Long day, but really fun and enjoyable.

Written at home.

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Vast Bowl

This photo is really similar to this one, but it focuses more on the landscape, or at least the space of the landscape, I think.

This is my submission into the two hundred-and-thirty-ninth Lens-Artists Photo Challenge. The theme for this one is “Alone Time“.

Edit: A correction here as the theme for this one is “Finding Peace“. “Alone Time” was the previous theme.

A lot of the time I prefer to be away from the city. In a place like this, whilst it’s nice to have someone else along, I am often alone and it’s nice. It’s quiet, and it feels like there’s time to think.

The host of the Lens-Artists challenges cycles weekly between the following people:

Week 1 – Tina

Week 2 – Patti

Week 3 – Ann-Christine aka Leya

Week 4 – Amy

Week 5 – John Steiner

Week 6 – Sofia Alves

Week 7 – Anne Sandler

Week 8 – Guest host

Donna of Wind Kisses joined the Lens-artists team this year. It will be good to see how we can interpret her challenges.

Tina is curating this one. John curates the next one.

I recommend participating in the challenges. They’re open enough to allow for a fair bit of thinking about approach and closed enough to keep focus on meeting the theme of each one. If you don’t participate, you should still check out what others of the Lens-Artists community are submitting.

I hope you enjoy.

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Chlamydoselachus anguineus

In January I went to an exhibition on sharks at The Australian Museum. It was something I was interested in, in part due to what I studied at uni and in part due to being a fan of sharks.

The information and models were all pretty interesting, including this one.
Due to a few factors the frilled shark (Chlamydoselachus anguineus) is considered a living fossil. I think that’s pretty awesome, but I don’t have much more to add to that that statement. Obviously it helps with understanding processes, but so many things do.

Anyway, I tried to frame this in a particular way with the intention of making the background as dark as possible whilst keeping the model illuminated, but as I do not use Photoshop this was the best I could do.

I hope you enjoy.

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