Five-Hundred Word Challenge 634: The Timer Starts

So the timer starts and I await for the moment to strike which just so happens to be when the timer starts. Need tor ace through it all. Need to work out as to how my fingers are gliding over the very object that they need to interact with so in order to be able to claim it as mine.

I shift my position and find a way to get more comfortable. Comfort is important. While too much discomfort can be tolerated, this is not an operation that discomfort can be allowed. There must be more comfort sot hat there are less chances of distractions. The muscles in the hands need to be manipulated in a certain way and this requires the utmost concentration. Lose the concentration, lose the prize. That simple.

Need to keep on working. Need to be careful. Keep on going. Bend the fingers. stretch and elongate. Lower. Lower. Reach for the prize, bend the fingers. Wrap around the prize and lift and carry away. Hopefully get out alive. That is the way to do it all. There’s far too much at stake to make any mistakes, so comfort is a priority. Need to not think about it too much, however. Thinking too much about it serves as another distraction. Need to find that sweet, special balance. Once found, all good. All easy. Need to be in the moment. Always need to be in the moment.

Once in the moment, need to send the fingers gliding toward the object of desire. The timer keeps on ticking away. I does that. There’s little time left. There needs to be the continuing of on. Need to not sweat. Need to not think about the chances of sweating. Need not a single drop of moisture to fall on down. Could trigger everything that needs not triggering.

The prize is within the grasp of the hands. The muscle manipulation has gone well. Well, it’s gone as well as could be expected. Need to bring the object up and away from its cradle. Need to keep on moving it in a constant way so as to make sure that it does not reach a state of being fumbled.

Slowly, slowly, successful. Up and off. Approaching the exit. It seems as though this is a clear break. A lucky break. Thankfully the exit is near and so my escape is unimpeded, but something seems off, and so it should. Still, I should at least see as to how far I can get. Perhaps I will make it the whole way and the feeling is merely nothing other than the concern that there was no real success.

But of course that concern is a real sense and proves to be correct, and so not having the time to put the object back all I can do is drop it and take off, for whilst it is required and desired, the prevention of capture always remains the biggest priority. There will be another time. Hopefully.

The time it took to write five-hundred words: 06:01:99

I think I almost captured a sense of tension with this one.

Written at home.

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Most of MONO

When I took this shot I decided to see how a slower shutter speed would affect the image. I’d been “experimenting” with slower shutter speeds during one of the supports and had a few shots turn out pretty well so I decided to try the same with MONO.

I think I did a good job of capturing a sense of motion, though the image is a slight bit blurry. Still, I’m happy with the result.

I hope you enjoy.

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No-Man: Love You to Bits Review

This is another one of those reviews that took far too long to write.

I was going to get this up on here earlier. Wasn’t able to due to work which might’ve been a good thing as I’ve adjust some of the sentences and added a bit more.

Not sure how I feel about this review. I think it might be the longest music review I’ve written in a while as I’ve gone a bit more into details of the album (I think), but it feels a little too clinical in places.

Still, it feels like an improvement. I feel as though this review is a bit easier to read than some of other ones I’ve recently written.

Now for the part where I plug other stuff:

Most of my review and interview work now appears on Culture Eater.
My colleague and I set up a Patreon to further develop Culture Eater as a source of good quality arts coverage from both ourselves and our contributors.

We’re looking at what we can give to supporters as we don’t want to set up a one way relationship, so suggestions are welcome. Podcast Eater is one of the things we’ve got going. We’ve recently switch to weekly releases and soon will be giving the patrons a bit more.

Please consider supporting, or at least sharing the Patreon page with others. Please also check out what our wonderful contributors are contributing.

Anyway, I hope you enjoy.

I’ve tried thinking about what I can say about No-Man’s Love You to Bits that other, more qualified people are yet to cover. I don’t think I can say anything new, so instead I’ll just try saying what I can.

Love You to Bits is an album of two songs over ten segments. Each segment presents either a new variation on or progression from a main melody, and often the transitions are either smooth of make sense. It gives a sense of consistent flow throughout the album without making it feel overly long in places. No section is overly long and each transition falls in a place that makes sense. Some sections are quite different from others, but not so much as to break the sense of cohesion and flow.

Of the two songs, “Love You to Bits” is larger in feel. Maybe it’s due to being the first half; I’m not quite sure as to why. Overall it’s lighter in feel and a bit more energetic. It does a good job of announcing the album, sound and potential themes and sounds quite fun.

“Love You to Pieces” feels a bit like a reflection of “…Bits”. A few of the lyrics see reuse with alteration and the album’s flow takes on a slower and weightier tone. “…Pieces” sounds “darker” in a sense when compared to the first part which perhaps suggests a shift in meaning; at least, when compared to the album’s first half.

There’s two solos on the album and they both appear close to each other. The first is a kind of broken-sounding, semi-abrasive guitar solo with all the drama that implies. It’s kind of pleasant and unpleasant but it works nicely. The solo kind of feels like its signifying an overt shift into heavier territory. Maybe it represents a specific emotional expression. Either way its contrasting sound works well with what’s around it.

The second (an electric organ solo) gradually escalates into something wild and almost out of control in sound. It crashes over and smothers everything in the brief period that it appears. It sounds and feels more menacing than the guitar solo, but it seems to bring Love You to Bits back to something lighter in tone.

Whilst I can’t think of much to say about Tim Bowness’ vocal delivery, it bears mentioning that (unsurprisingly) he knocks it out of the park. He sounds smooth, and carries a sense of romance and slyness throughout the whole album; even when vocal processing comes in and shifts the vocal feel to something else. He punctuates, emphasises, rises and falls, and builds nicely on the album’s character and identity. He also often gives the lyrics a fair bit of space between each line making them stand out a bit more than if there had been a constant delivery.

All the sections work great together; all the sounds blend nicely, but its Tim’s vocals that stand tall here. Ultimately the whole thing is unified pretty well and it doesn’t sound like he’s trying to dominate the songs; he just adds quite a lot to the music.

I feel like Love You to Bits is an examination of the obsession song. The way it shifts from sounding more romantic at the start to something heavier for a while seems to indicate this. Eventually the album lightens up again, but there’s a lingering sense of unease, or at least discomfort. Whether No-Man set out to examine the obsession song or not is fine either way as they’ve put together a tight, smooth-flowing album. They’ve done a lot to make the album’s differing elements and styles work together.

This is an album that works best listening to as a whole. It’s easy enough to take some of the parts and see how they work together, but the album overall is more satisfying played from start to finish. It doesn’t drag, carries its emotional content well and overall makes for a satisfying listen.

Love You to Bits is available here.

 

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No Through Road

Taken whilst walking around Newtown.

Would’ve been sharper had I had my tripod, but I do like how the photo turned out.

I like how much of this is in silhouette, and I like the contrast between the sign, the larger objects and the sky.

I hope you enjoy.

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Five-Hundred Word Challenge 633: Something About Music and Being in the Moment

Sometimes when you hear something just gliding and rising and falling, you’ve got to let it wash over you. You’ve got to let the beat and the rhythm carry you along and lose yourself to the music, despite how much you want to resist. Sometimes it is the best way to carry forward. you can dance the night away. Maybe instead of dancing the night away you’ll find yourself in a trance and just become lost within the music as it flows around and surrounds you.

Maybe instead of that you’ll just find yourself still and firmly within the moment. Maybe it’ll be all of those things at once. It can be hard to tell, but it doesn’t matter as once the beat picks up your body disconnects from your brain and starts moving to the rhythm and you’re powerless to stop the enjoyment and satisfaction of being one with the music.

At least, that’s what happens sometimes. Occasionally the cerebral can remain intact, but you still keep on appreciating what it is that you’re hearing.

Unfortunately it all has to fade away at some point and something a bit softer, such as a break may come in. This is the chance to relax before the next beat comes in and you’re finding yourself once more carried away in some manner. It’s the breather, though not always. Maybe the beat just dropped out. Maybe the beat softened. Maybe it all held and time stood still. Who knows? It’s all in the moment and being in the moment is often what matters.

Of course there is a difference between moving and being in the moment, and being still and in the moment, but that’s not for now.

Voices modulate, notes draw out, instruments come in and out and the flow just seems to keep on going without any stop. Relent certainly is there, but its no less appreciable than being carried along and away with the music itself, for there is nothing violent about this. It’s passion; passion for the sound and the rhythm and passion for what is experienced when caught up among it all.

And it just keeps on going and you’re lost without confusion and some sharper sounds come in, though lacking all the harshness that that implies and the melody increases and the vocals rise and fall and remain spacious and soon there’s a repetition of one line that seems to pull back a little whilst the notes wait for the next moment to come in and see where it takes the music and then suddenly you’re hit with this almost atonal, chaotic wash of noise coming from a guitar solo which just seems to punctuate a chaos formed from a juxtaposition between the messiness of its existence and the steady beat that refuses to let up.

However, it is just a feeling as the solo still manages to fit in somehow and the music continues to push on and you become a part of its being.

The time it took to write five-hundred words: 09:38:01

There was about a minute where I became distracted, then came back and realised I was distracted. I guess the music was carrying me along.

Written at home.

 

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Dahm Majuri Cipolla

I like getting shots of drummers as often getting a good shot of them is a far greater challenge than other musicians on a stage.

That’s not to say that this is a good photo, although I do think it is; just saying that I like the challenge.
I think that the language of form becomes so much more important due to percussive instruments often being quite obscuring as well as how limbs are moving when compared to a few different instruments.

Anyway, here’s a shot of MONO’s drummer taken on Saturday night. There’s more shots of the gig on Culture Eater if you want to check them out.

I think I captured what kind of feels like an instinctual, natural moment, though it does kind of feel thoughtful.

I like how the drums feel quite large compared to Dahm. I think that has more to do with positioning than anything else.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week.
I suggest checking out Leanne’s photography, as well as checking out what other people submit.

A lot of what people are submitting will likely end up here.

I hope you enjoy.

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SLYFOX

Also known as The Sly Fox.

It had been a while since I was last there. I think it was late 2018.

I was walking through Newtown on Sunday evening so I could take photos to kill some time. Reached The Sly Fox and saw the padlock and chain on the doors.

Just found out that (at least at the moment) this is a permanent change, which is a massive shame as it wasn’t a bad place to be.

Maybe it’ll be redeveloped as some sort of apartment complex, or “boutique” place, or some other sterile equivalent. Maybe it’ll reopen. Maybe neither of these will happen.

This is my submission into Leanne Cole‘s TPM photo challenge for this week.

The theme for this challenge is “Closed”.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

I hope you enjoy.

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Sleight of Hand: Live at The Cambridge Hotel 06.02.2016 Review

I think I’d been writing for Cool Try for around eight months when I covered this show.

Looking over this now makes me feel like I took a step back.
It reads a little too much like dot points which was something I was moving away from at this point. Considering the time I wrote it, it should’ve been more fleshed out, though I say that about a lot of things I’ve written.

Some of the things I wrote in this review feel like “duh” moments. It’s rather underdone.

When I was heading off to Newcastle for the show I was listening to “Prayers/Triangles” quite a lot as Deftones had just released the song. It was kind appropriate… sort of. It had been a while since I was last in Newcastle; Australia Day 2011, to be exact. There was a point somewhere in either 2013 or 2014, but that was firmly within a contained suburban area of the Newcastle region and only overnight.

There was a period between 2008 and 2010 where I spent a fair bit of time in Newcastle and some of its surrounds. There were some good memories and some not-so-good, which I guess is something that should be expected. Being in Newcastle brought that back, but more in relation to how it seemed quieter than when I’d last spent time frequenting the place.

It was kind of odd being there. Checking out things I hadn’t seen beforehand was great, as was the Sleight of Hand gig, but seeing the place quieter was kind of off for me. It was also a place I’d left behind, so why was I returning?

The obvious answer is so that I could cover the gig, but in this instance that’s not what I mean.

I was going to write about the experience, but I never got around to doing so. Maybe I will, but in a semi-fictional form, but I digress.

Other than some spacing, this review is as it was.

Now for the part where I plug other stuff:

Most of my review and interview work now appears on Culture Eater.
My colleague and I set up a Patreon to further develop Culture Eater as a source of good quality arts coverage from both ourselves and our contributors.

We’re looking at what we can give to supporters as we don’t want to set up a one way relationship, so suggestions are welcome. Podcast Eater is one of the things we’ve got going. We’ve recently switch to weekly releases and soon will be giving the patrons a bit more.

Please consider supporting, or at least sharing the Patreon page with others. Please also check out what our wonderful contributors are contributing.

Anyway, I hope you enjoy.

The first act of the night was Anamata.
They had a nice blend of heavy and melodic and they played well.
Their stage presence was okay enough, but it could have been stronger.
Also, the vocals, whilst nice, were unfortunately drowned out by everything else a few times.
Still, they did put in a good effort.

The second band of the night was October Rage.
Their set was fairly straightforward rock played with enthusiasm and energy.
They made good use of the stage, getting their rock moves on and having a lot of fun whilst doing it.
It paid off as the crowd that was watching reacted positively.
Clearly they’re a band that knows how to get an enthusiastic response from a crowd.

It was not long after October Rage finished that Sleight of Hand took to the stage.
They didn’t waste time getting into their set and when they kicked off, so did a larger crowd.

Despite not being a band that broke up back in 2008 and playing the occasional one-off here and there, they’ve managed to play better and tighter each time they perform.
Tonight was no exception to that.

Whilst they played hard and put a lot into nailing everything down, it came off as though they were playing with great ease, knowing everything they were doing like it was the back of their hands.

Each instrument melded into each other well with everyone ensuring their part hit when it was meant to, whilst the vocals sat in the middle, moving with ease between clean and harsh.

There was a surprise cover (“All Over You” by Live) that was handled skillfully and helped fill out their set a bit more.

There was also good stage use, with the band members moving around as much as they could, getting quite physically active, yet not losing rhythm.

Eventually Sleight of hand had to wrap up, so “Armageddon”, an excellent choice for their closer (especially considering the show was called “Countdown to Armageddon”) was the logical choice. It got a fair bit of crowd moshing as much as they could, knowing that it could be a while before the band performs again.

Even though they’re a band that plays on the odd occasion, it’s clear that Sleight of Hand still want to put on a good show and make sure they’re giving their audience as much as they can to leave them satisfied.

The Cambo should have had a lot more people there than there were.
A lot of people missed out on what was, overall, a live show that was performed exceptionally well.

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Five-Hundred Word Challenge 632: Had a Plan Yesterday

I had a plan yesterday. Yesterday I had a plan.

The plan was to get up a lot of stuff as I was feeling restless and really wanted to get a bunch of things out, but alas, it was not to be.

Instead today will see that, or maybe not. Maybe it’ll just see some sort of powerful movement and dancing in order to get to the end of the beginning and find a midpoint in which the inhabiting of the space can be completed. Not sure, but we’ll see how it all goes, of course. Always need to see as to how it all goes. Need to see it the whole way through.

Need to enjoy this album. Well, not really, but as an album (the one that I am currently listening to) it is enjoyable as an album. What album is it? Why, it’s the one that I’m listening to. I thought that would be obvious.

Anyway, with that out of the way it is time to race on forward. There needs to be some sort of consensus, but I don’t know as to on what the consensus should be. I don’t know much, though the things I know are things that I know. Perhaps they are things I think I know but in reality don’t know them at all. It’s kind of hard to tell, though not always. sometimes these things thought of as being difficult are actually quite easy to know. Sometimes it’s really easy to know how little you know, but it’s even easier to pretend that you still know the things, even in the face of overwhelming evidence to the contrary. Just the way it goes sometimes.

Maybe this is not always the best option and there are better options out there. Maybe the best option and the easiest option is to admit that you’re wrong when you’re wrong and then learn so that you can become better informed and less uninformed. Sometimes that really is the best way. In fact, I’d argue that most of the time it is the best way. Not always as it can depend on the situation. I don’t think saving face in the defence of one’s ego is ever the best option. There are always better options than that.

However, I don’t have the space to go into that. I’m just getting into this at the moment. The more I get into this, the deeper I go and soon the cavern will open its maw and I’ll be led down the path of awakening so that the knowledge can spring forth and I can be better equipped to know stuff.

Or maybe not. Maybe that won’t happen. Maybe instead of that happening I’ll just float around in this chair for a while. Maybe it’ll open its secrets to me and soon I’ll be off to some other land of creation, but that’s something I’m gonna worry about on another day as there are photos that I should process.

The time it took to write five-hundred words: 05:46:69

Fast, but kind of messy.

Written at home.

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Summer was yet to Begin

This was written during last year’s NaNoWriMo, which I managed to finish on time. Had a few slips, played catch up for most of the month.

As with the prior years in which I had participated, the story was shaped much from things I’d experienced.

This part in particular is a semi-fictionalisation of my walking around Balls Head Reserve a few months ago, as well as times I walked around there a number of years ago.

There were some edits for clarity made a few months ago but I haven’t touched it since.

I don’t think this is as good as it could be, but I wanted to share it, so here you go.

I hope you enjoy.

Summer was yet to begin and end, and Autumn’s approach was still a concept, but both were much closer than they had been a few weeks prior.

Spring was approaching its end with only a few days, or maybe a week left. I wasn’t sure. It wasn’t as hot as it had been, but it was still warm enough to be concerning. Fires to the far north were not as heavy as they had been, but there still were concerns. There was still a great risk as the fire season was yet to fully embrace itself. Still, a small respite was better than no respite at all. It gave people time to prepare and get out and that was something to be grateful for.

I entered a large, familiar building. I’d worked there for a number of years. In the foyer was a small; One that essentially served to function as an ease of access for those working in the building.

It was still quiet in the building; something that I was happy about as it meant that I wouldn’t have to spend too much time waiting. I was served almost immediately by someone younger than I.

“Hi, what would you like?”

“Could I please get a large flat white?”

I paid and waited. From the rear of the cafe a person came shuffling around, checking some of the items. His features were more slender, and his walking much slower and seemingly more of a struggle than the last time I’d been there. When I arrived I was kind of hoping that he’d recognise me. I was both relieved and troubled that he didn’t.

Once my coffee was in my hands, I left. I followed a familiar path down a hill and took note of some adjustments to the area. New footpaths had been built; some maintenance on old ones. However, it was still the same unshifting area of suburb I recognised. Change was something that seemed foreign to this area.

I kept on going and, through a few different streets, made my way eventually down a large amount of stairs and to a bay.

Once at the bay I went down to a small… well, it wasn’t a wharf or a jetty. It was a small concrete area that jutted out into the water by maybe three metres. Possibly four. I stood there for a few minutes. Still the same bay that I’d been past so many times. The first time I had been there was nine years prior. I was a younger, angrier and more confused man then. Now I was probably just more introspective, reflective and perhaps a little more bitter, but also little bit better adjusted. I had a better idea of what made me angry. I wasn’t just a heartbroken twenty-something year old anymore.

I went back to where the small path to the wharf began and walked a brief distance to another stairwell; this one leading past the naval base in the area. The stairs here were something that I seldom, if ever enjoyed. They were long and unpleasant unless you were fit enough, in which case they were just either long or unpleasant; never both.

Still, I made good time in getting up them despite not seeing them for a number of years. Probably some sort of instinctual familiarity.

I reached the top and paused for a moment to get my breath back before continuing on. I headed right, past the fenced off area and followed the path until I could go right once more. Following the road there I eventually reached an area that had once been used for coal mining.

Many years prior one of the tunnels had been turned into a path that people could use to walk into Balls Head Reserve. It still was the same dark tunnel it had always been. Other than maintenance and probably replacing some of the motion-activated lights, it was still static.

There had been some maintenance done to the top of the area where coal-loading would have occurred. The tunnel would’ve been for trolleys, or carts, or some other thing that would receive whatever needed to be received from the top. The top area was now an area open to the public. There were some nice views there.

An old dilapidated wharf still sat there. Still fenced off from the public. Still seemingly falling apart, yet gripping onto what little integrity and dignity it had left.

I had a quick look around the top area before going back down and walking through the tunnel. There had been one time I walked through this tunnel where, after a particularly large bout of rain, the walkway was under water. Not by too much, but enough to get a bit past your ankles wet. I didn’t care enough at the time. It was kind of fun.

Once I finished walking through the area, feet wet n all, I ended up heading off into the city and buying some music. It was a good day.

The tunnel felt as it had always felt; like a walkway.

There had been times when Eugene and I had walked on through and I’d take photos of him as I thought the shadowed figure in a dark area with only a bit of light coming through was an interesting concept at the time without understanding why.

I came out on the other side. Some slight improvements to part of the path and some additions to the bay close to it, but otherwise it was still Balls Head Reserve mostly as I remembered it. I followed the path, though there was little other choice. It seemed easier than it had been in the past, but maybe it was just the familiarity setting in and making it feel easier. I wasn’t really sure.

Eventually the path led past some entrances to the underground mining areas. Long had they been sealed off and thus left to me only to wonder as to what it would be like to explore those pathways now.

A small alcove in a rock had a bench built into it. It was a slightly warm day, but nothing unbearable. Still, I stopped for a few moments just to give myself some time to breathe.

I soon collected myself and continued onward. I knew my way well and I knew where I was going. There was to be no hesitation.

I took a turn off the path, crouched under some shrubs and followed the cliff around as far as I could, which turned out to not be too far. Vegetation growth had consumed the path that I was planing on taking. I could have possibly still made it over, but the vegetation combined with the small gap I’d have to leap left me feeling a lack of confidence in my ability to make it over. I had a strong desire to cross the gap, but my being alive was much more important to me and so I decided to go back to the main path and continue on.

Occasionally I was afforded glimpses of parts of the city as it appeared on the other side of the water, but there was plenty of shading vegetation that obscured just enough of the city to almost allow yourself to forget that you were still very much in its being. Balls Head Reserve was a wonderful place in that regard. It gave just enough to sometimes help you forget, but still had some great convenience in being so close to frequent public transport. Sometimes that isn’t what you want, but there were many times over the years where that was exactly what I wanted and its convenience was probably something that I needed. Probably.

I followed a path down after reaching a mostly open, yet small area that didn’t lead anywhere. I was closer to the water now and took one of the paths down as soon as I could. The tide was low, so I walked a little along the rocks. It gave a great view of the harbour, The Sydney Harbour Bridge, the CBD and some of the other urban areas.

I looked out to the city and saw that it still remained where it was. It was unsurprising that it hadn’t moved and still remained a part of the area, but Sydney never seemed to amaze me in the first place. The view was one better appreciated with other people generally as it was pleasant enough, but it was one that didn’t require much appreciation.

The city almost made me feel small, but it couldn’t by account of how developed a region it was. I didn’t feel big, but I didn’t feel humbled by the development of the area into something that felt unnatural. It just felt like something I was attached to, regardless of how much care and interest in it I held.

The bushland that was behind me at this point was far more beautiful, I felt. Whilst the achievements of humanity certainly were great, nothing could compare to the brilliance of nature and all that it brought.

The path through Balls Head Reserve was one well-trodden and one well-placed. It gave a good feel of the nature around, took you into bright and shaded areas, sometimes parts that were a bit darker than others and overall enabled a good flow of motion. It was a special area.

I stood there for a little while, staring at the city, not really searching for anything, but just staring out, deliberating with myself. I saw clouds drift over and cast their shadows where they could. They were large, but not threatening and not in enough of a cluster to be threatening, nor cover most of the sky. They were spread out well enough on what I felt was the right day for being where I was.

A gentle breeze blew alone and the harbour’s water lapped gently at the rock I was standing on. I kept on deliberating, working out what I was going to do from here.

Of course, standing there wasn’t really helping and all the thinking in the world wasn’t going to change anything other than lead me to making a decision that I might end up questioning later in that instance.

To no one other than myself I said “**** it” and headed back to the path and walked back to where I wanted to head.

Looking once more, I realised that I was not going to have any luck in getting through the vegetation. Instead I pushed through some more overgrowth nearby. It was brief, but slow. I wasn’t sure if it was going to take me to where I wanted to be, but it did and for that I was happy. I’d finally reached a place that I’d spent many an hour staring out from.

There had been some vegetation growth there too, but I recognised the ridges in the rock that jutted out and provided a seat. I recognised the view that covered Balmain and some other surrounding suburbs. I recognised that part of the bay.

I sat down and stared out and I felt small.

—–

Eugene and I had left work at the same time that day. It was great as often our shifts didn’t align.

We walked on down to Balls Head and made out way to the lookout at which we usually sat when we were there together. It was a good stopping point and gave some time to rest and maybe appreciate the afternoon sky a little.

On that particular day the clouds were thick. There was the threat of storm, but I don’t think either of us cared too much. Work was long and arduous. This was, as far as we were concerned, the best way to relax. I’m sure if we could easily go into the Royal National Park straight after work, we would. I guess we could have, but this was much more convenient given the situation.

“What a view.

Yeah.”

Boats passed on by below and the shape pf the coastline in that particular area moved closer and farther away, jutting just where it needed to. Houses lined and filled the region, leaving little room for vegetation, but of that there still was plenty.

We were perched up high. Not the highest we could have been, but high enough to feel like the world was really small to us, but we too felt small.

We tried listening to some music whilst appreciating the view, but the view spoke for itself. It didn’t need something in the background to support it.

“I’m so glad we’ve got something like this right here.

Yeah. It’s so easy to get to, can just walk through, relax, then bam. Done. Back home.
Well, I still have a train trip.

Yeah, but this is still better than getting a train the whole way.

Yeah. Easy enough to get to the station too. What’re you gonna do when you get home?

Dunno. Maybe listen to music. Read. Take it easy. You?

Try and work on something. Maybe write. Maybe listen to music. Don’t know yet. Maybe chat with housemates.
Yeah. Maybe I’ll do nothing. Just feel like relaxing. Been a long day. Maybe I’ll rehearse.

You should.

Yeah, maybe.”

We sat there for a while, just staring out. We were young and angry and happy, but that was a great place to be. It was calming.

The sound of thunder made itself apparent nearby.

“We should probably get going.

Yeah. You’ve still got a bit to go.”

—-

Eugene and I had spent a fair bit of time walking through Balls Head Reserve. He introduced me to the area shortly after I’d met him. I was heartbroken emotional, and trying to push through a job I didn’t enjoy but did as I wasn’t old enough to necessarily hold myself to better worth. Eugene’s friendship and Balls Head Reserve helped me a lot.
We’d spent a lot of time sitting in this particular spot. Sometimes we’d talk about stuff, sometimes nothing, and sometimes no talk at all.

The view, for all of its lack of power, began to overwhelm me as now the view was only mine. Sometimes a view seen alone is a beautiful one, but this was one that I could only share with a good friend, just like all the memories we’d had. Even though the prior few years had been hard when it came to being Eugene’s friend, he still was one. Despite all the lying and all the silent drama, he still was my friend at the time.

As I began to shed tears, I thought of the memories we shared and I thought about all that we had been through. Those were things that I didn’t want to repeat. I’d already lived through them. I had no need to live through them again, but I missed him.

I missed him dearly.

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