Jurassic World: Fallen Kingdom™ Review

Somewhere at the start of the film we see two people in a submersible enter the Mosasaurus lagoon via the ocean as the lagoon can magically teleport for some reason.

The large gates that were not there before open, allowing the submersible in and thus allowing us to realise that the island most of the Jurassic Park™ films are set on is more of an idea than it is an island.

So those in the submersible go in to grab a dinosaur bone from the fallen Indominus rex™ and the dissolution of tension happens almost instantaneously as the film begins the process of saying “so this will be the next thing that happens” at almost any point that it can. There’s a lot in this film that is blatantly telegraphed. Regardless of how much you leave your brain at the door it is difficult to not see most things coming.

We get a shot of something above the submersible due to lightning in the sky. It’s a really stupid device to employ but is shot well, just like the rest of the film.

There’s some really bad dialogue, in a horror film-like manner the Tyrannosaurus rex makes its first contractually obligated appearance and of course the gate for the Mosasaurus lagoon fails to close due to a control being crushed (something I find both baffling and insulting as once the command to close has been sent, it probably would continue despite the control being crushed due to the control only sending a brief signal to commence the closing, but I guess it could be written off as the foot crushing the remote somehow pressing the “stop” function a split second before the crushing occurred). The Mosasaurus escapes. Surprising I know.

Jurassic Park was not a perfect film. It has flaws, some more glaring than others, but what really helped it is that the characters felt like real people. They had professions but they were not the sole defining traits. Had the characters been anything else, Jurassic Park would not be as fondly remembered.

The special effects in Jurassic Park were amazing and whilst they’ve begun to show their age they still look quite good. They were an important part for allowing the film to be believable, but had the characters themselves been any lesser then the film would end up only being considered good by those who saw it in their childhood and cannot let go of nostalgia. The usual defence of “It’s just a film, you’re not meant to put so much thought into it” would have been trotted out, but no amount of good effects can save a film if the main focus is sub-par.

The characters in Jurassic World: Fallen Kingdom™ are sub-par. They don’t feel like real people. They feel like caricatures. They’re stripped of features in order to fit very tightly constrained roles, lack much of anything suggesting dynamic personality due to exaggerating traits, spout badly-written dialogue and all forms of subtlety are thrown away with reckless abandon so they can serve as pieces rather than as people. The characters continually make stupid decisions, such as not organising some sort of scan of the Mosasaurus lagoon before sending in two people in a small submersible to retrieve a bone, or moving away from a control desk whilst there is an emotional kid in a room.

Speaking of the bone retrieval, it’s interesting that the Mosasaurus decided to, instead of eat Indominus rex™, drown it, therefore leaving its bones conveniently accessible. Regardless of any potential witness accounts (remembering that there would be no way for Chris Pratt, Bryce Dallas-Howard and whoever else was with them to know if Indominus rex™ was eaten or drowned), there would have needed to have been some sort of surveillance method applied in order to find that the bones were in the lagoon and undamaged, so there must have been some sort of detection of the Mosasaurus. I guess that the villains or the mercenaries didn’t bother and thought that witness accounts would have been good enough, but I digress.

Somehow a character doesn’t notice the Tyrannosaurus rex approaching them as, despite it being a massive beast that usually makes a lot of noise, it somehow doesn’t and the audience can’t see it approaching. After the character in question is consumed, the Tyrannosaurus rex disappears into the woods so it can go and break into a lion enclosure so it can roar at a lion.

When everything at the Mosasaurus lagoon is going awry and the actors not underwater need to escape, there are (at least) a couple in a helicopter. The ones in the helicopter drop a ladder for the one being chased by the Tyrannosaurus rex to grab onto, then begin flying away. It kind of makes sense but also feels stupid and in the end it’s all for naught as the person on the ladder gets eaten by the Mosasaurus which manages to leap out of the water and bite onto the ladder which somehow does not adversely impact the helicopter in any way, shape or form. The ladder snaps clean, the person clinging on meets a terrible fête.

The film becomes more horror-like as it goes on but the attempts at tension remain a failure due to how obvious everything is, the characters make amazingly stupid decisions and the genetically engineered dinosaur threat of this film, when not behaving light a horror film villain (although it’s not the only dinosaur guilty of that) takes the time to roar on a roof with the moon in the background.

Something that Jurassic World: Fallen Kingdom™ does well is highlight the power of doors. Doors failing to close allow the Mosasaurus to escape its lagoon. A door being closed on a Baryonyx stops it from trying to get out of where it’s trapped due to the desire to close said door (a rooftop hatch) somehow draining it of all strength. Tyrannosaurus rex freaking out finds a sudden calm falling over it as a door is closed. The door closes, it instantly stops freaking out. Maybe the door being closed instantaneously erased the dinosaurs from existence, until they’re once more needed. All that we’re left to know is that doors are really powerful and this is a power that we need to respect.

There’s some genuinely interesting ideas (mostly) related to genetic engineering that are worth considering, but as they’re handled with as much subtlety as a noun verb (potentially including an adjective and another noun), they become as ridiculous as almost everything else in the film. “Almost” as there’s some things far more worthy of ridicule and there is at least one thing that is handled really well. In the end the film ends up being mildly comedic due to its flaws contrasting with how well it is shot.

Possibly the most stupid part of the film is related to the Mosasaurus escaping. Someone deciding to put a door that opens to the ocean on a lagoon being that would be used to house a dangerous creature would be considered by some to be a poor decision. That the Mosasaurus somehow survived in a system that would have rapidly-depleting food sources, as well as somehow survived being in what appears to be an area that is akin to a dam (there appears to be little or no outflow due to a constructed barrier to keep the Mosasaurus inside the lagoon), therefore creating layers of cold and deoxygenated water is incredibly lucky. These are both really stupid, but there is one thing far worse.

The Mosasaurus is a reptile that lives in what appears to be a saline environment. The lagoon could be brackish but there appears to be no sort of freshwater flow and the lagoon is now next to the ocean, so it is likely a saline environment. How is the Mosasaurus able to escape and (potentially) tolerate many different salinity, temperature and density levels with no ill effects?

As far as I’m aware, whilst saltwater reptiles do have the ability to filter the salinity out of water, it does not necessarily give them fucking carte blanche when it comes to traversing through the ocean.

My understanding regarding this could be incorrect. However, even if it is, there is no reason that, considering that whoever designed the park thought to put a door on the lagoon, they wouldn’t have worked with the scientists in order to find a way to engineer the Mosasaurus to be able to only tolerate only the environment created for it so that in the inevitable event that it escaped it would die. This is something that would have probably been tested over time in order to ensure that it would remain as such. Considering that we’re dealing with films that feature genetically engineered dinosaurs, is that really that far out of the realm of possibility? Apparently it was. The Mosasaurus escaping is insulting and stupid. Like most of the rest of the film, its indefensible, obvious and doesn’t have the impact that it wants. But it’s just a film, right? Right?

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Fountain Outside The NGV

This was taken on the way to seeing the MoMA exhibition.

There’s some slight vignetting that I think helps to frame the subject.

I like that most of the spouts have a similar, yet different water shape coming out of them.

I like that there’s one that is having water pass out of it in a very different manner to the others.

I hope you enjoy.

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Five-Hundred Word Challenge 467: Walking and Something About a Carp

Once more, the morning is here and I am here where I am, which is in a building that is larger than it appears as you don’t actually get to see much of the building from the outside, or you  do, depending on your viewing angle.

Walking a lot more than usual which is a good thing as it means the muscles in my legs are getting stronger which means I can tackle longer, more arduous walks, so long as I keep pushing on and going forward.

Sometimes you need to rest a little, but for now as the walks are pretty basic, rest can wait.

I want to walk more than I currently am, but walking the amount that I am is good enough.

I can walk to work, I can walk to home, I can walk to the park, to the forest, to the everything in between all the cracks.

It is the morning of mornings in which I walk and wherever I can go is where I will be taken, as the object of desire is the goal of intent and I am the one carrying the torch, as it were.

Perhaps there will be the carp of destiny in which I will talk to at  the end of it all. There will be a conversing of the ages and somehow I will see the end of the journey along with the carp and we will walk toward the horizon, hand in hand and look forward to a destiny that can only be felt and not heard, seen and not heard, felt and not felt, as it were, so to speak and so on and so forth.

I do know that if I keep going forward on the walking of the walks, there may be horses.

I also know that somehow, somewhere I will see a tree surrounded by other trees and not buildings, therefore seeing something that involves more green than it does grey, or gray.

Perhaps all of this is a little too much to consider, but I do not have some sort of cosmic orange juice this morning and the only thing that I have drunk is coffee and all I want to do is stay at home and not walk, but I am sitting and not walking, but soon there will be walking and walking will need to be done as I will need to go to the kitchen and get something to drink, unless I choose not to get something to drink. I do know that I need to put my food in the fridge in order for it to be cooled and therefore make it easier to eat at a later time in the future.

If I do that, then at least it will be chilled and stay preserved to some extent for the lunch that the food is intended to be, but that of course involves walking and walking is something that I verily will have to conduct this morning.

The time it took to write five-hundred words: 04:58:35

Happy with the speed and the start.

The rest could have been better.

Written at work.

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Five-Hundred Word Challenge 466: Not a Hard Thing

This morning I went to sit at a café and read, which is something I do on a weekly basis as sometimes I like to be part of the bourgeois elite, despite my never truly being able to reach for such lofty heights.

Anyway, when I was getting up to leave I had a bit of trouble getting my chair out as the kid behind me decided that it was a good idea to have their chair out a bit further from their table than they should have.

I know that a maximum distance can be arbitrary and it’s probably stupid to complain about something such as that, but I know this café really well and I know that one does not have to have their chair that far away from a table, especially as that particular seating area has a few tables in close proximity.

So I’m getting up, my chair hits the chair behind me as the kid behind me has their chair too far out and so they and their mother decide to stare at the chair and myself. It doesn’t seem to cross either of their minds to, you know, bring the chair closer to their table. Instead they just stare as I awkwardly get up and then grab my bag as I can’t get up properly due to them being selfish, or something.

This really is a minor thing, but is it really okay to be that much of a selfish idiot? Is it too hard to either pull your chair in, or to tell your kid to pull their chair in? Do you  really think that other people are so beneath your consideration that the only response that they are worth when you are inconveniencing them in some way is to stare at them like you’re an idiot?

Whilst this was ridiculous, it wasn’t as surprising as a customer deciding to compliment me by calling me a cunt the other day.

A customer had called (in a call centre, of all places) advising that they were having trouble with putting through an order. The system was advising them to do something that they had already done before it would allow them to proceed, but what they had done was on a screen that was somewhat-unrelated to placing an order.

I had repeatedly (firmly, yet politely) told the customer that they needed to do the thing that they were being told they needed to do and adv them of where they needed to update information. Once the customer decided to listen they updated what they needed to update, then said something before referring to me as the aforementioned praiseworthy term. I told them that I was still on the line, they said nothing, there was silence for a few seconds. Then they hung up.

I don’t understand as to why people think that either of these are acceptable. Do people not understand the concept of basic respect for other beings? It’s not a hard thing.

The time it took to write five-hundred words: 10:00:60

Could have been faster.

Written at work.

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Height

Whilst in Melbourne I went to the MoMA exhibition being held at The National Gallery of Victoria.

It was interesting.

This was in the last room of the exhibition.
I won’t explain the process or what it is related to, but there are a lot of heights listed in this photo.

I like how concentrated most of the heights are and I like that there are a few outliers sitting underneath the concentrated area.

This is my entry into Leanne Cole‘s Monochrome Madness for this week.

I recommend checking out Monochrome Madness and consider participating in the event. It has a dedicated community that is worth being a part of and the event does help to make you think about your composition, among other things.

I also suggest seeing Leanne’s work outside of Monochrome Madness.

Anyway, I hope you enjoy.

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Docklands Pylons

More pylons.

I was lucky to be able to get them all in one frame.

I like that everything is meant to look scenic and ideal as I don’t think much (if anything) clashes with the visible buildup of rubbish.

The only real difference is that one form has more fashionable clothing.

I think that this shot shows (to an extent) how expansive the area appears.

I think that the pylons in this shot are fantastic and make for a good contrast with the previous ones.

I hope you enjoy.

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Mark Kozelek: Mark Kozelek Review

This review can be read on Cool Try.
If you read this here, then please also go to Cool Try and check out more music-related articles.

Anyway, here’s the review.

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Mark Kozelek has become a fairly restless artist. Knocking out many albums over a short period of time, he’s showing few signs of slowing down. Mark Kozelek is another album that he has had involvement. Therefore, it is another album of his music that shows that he does not, for the time being, intend to slow down.

Once more Mark Kozelek is “talking” more than he is “singing”. Mark Kozelek sees him moving closer toward spoken word. He talks about things he experiences. His lyrics are as direct and matter-of-fact as they were before he became to heavily embrace his current vocal explorations. However, they now almost entirely lack the smooth poetic cadence that Mark Kozelek once employed.

There’s a simplicity to the words that is appreciable but Mark Kozelek leans far too heavily on the verbose. Everything that can take less words instead takes a long time to be said as he talks over everything as much as possible. This makes the songs more conversational and distinctly his. This also leads to the songs having a great deal of bloat. The words are far less effective and most of it tends to blur and wash over you.

The lyrics seem to have become the main focus of Mark Kozelek’s songs. On Mark Kozelek the instruments take a backseat and sound like backing music for him to talk over. The music is nice enough and works well as an accompaniment. However, most anything that is not vocals sounds like it was written for the vocals. That’s not to say that the instrumentation is flat. Some melodies are quite pretty and tender. Usually they do well to set the mood. However, there’s little to no substance to them. They’re decent, they work, but feel like an afterthought.

As easy as it is to criticize Mark Kozelek, there’s something endearing about the album. It is hard to recommend as most of it makes for a frustrating, tiring listen. However, there’s some really poignant and moving moments. There is also some funny moments that help break the monotony. Mark Kozelek seems to be searching for something. He rambles quite a bit and expresses things in more time than necessary. There comes a point in each song where the song feels like it should end. Instead of ending, the songs keep on going. However, the whole thing feels really human in a way that a lot of albums do not. Perhaps the album is highly possessed of ego, but it sounds honest.

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Silver-Capped Pylons

Some pylons at Docklands with silver caps.

As wind blew past the caps rattled and created a percussive, rhythmic sound.

It was wonderful.

I like how the ones in the scene are spaced apart and I like how they seem like variations on the same object.

I also like the design of the caps. I like that they’re elevated and there’s an object attached to the cap that invokes imagery of a sail.

I hope you enjoy.

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Southbank at Dawn

Another photo of Southbank, but this time with a greater amount of open space.

I like how the colours interact with the light of the dawn, as well as how large and vague the clouds appear.

Some of the cars look like they are models.

I like that the trees are partially blurred due to their sway as it creates a nice contrast between them and the still objects that they are near.

I hope you enjoy.

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Waking Southbank Offices

On the second morning of my recent trip to Melbourne I went wandering to capture the sunrise. The wander ended up being successful but not for the purpose that I had set myself.

To me this photo feels both quiet and busy.
I think that the stillness of the buildings and the motion of the clouds are the factors leading to the scene feeling quiet, whilst the lights and (minor amounts of) traffic are what lead the scene to feel busy.

I do think that there is a distinct impression of waking up which probably has to do with the colours in the sky.

I hope you enjoy.

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