How much more of a solo could inhibit this song that is currently playing? Probably a lot more, if that was indeed a question that needed to be asked.

However, it certainly does slide along quite well with the sounds that I’m hearing that are playing and moving along to a single point in time where they will, I imagine, reach some sort of consensus and come to an end rather abruptly as they raise and inhabit and inhibit your ability to do the thing that is not the thing that you would not do and instead enable the thing that you would do, if that is indeed what you are looking to do on the day of doing the thing and so forth.

But the waves, man, the waves that come in and sine all over the place are reaching my ears and pulling on something in order to get something out and that’s the way that it all goes sometimes.

It’s like hearing the bass roll over and over and someone turning around in the bed when you’re trying to wake up but you can’t get up as you’re the bed and you don’t know which way is forward, which would be a bit of an undesirable situation, if you know what I mean.

Still, there could be worse things to worry about but the percussion is twinkling in the space between each bass thud and guitar tip-toe and it rises and falls in the only way that it can, which is to say that this is another song and not he previous one. This one seems to be a bit more of a slide and a glide than the other. It just seems to be doing its own thing and looking for a way out of the box but won’t burst into anything other than another end, but that’s okay as my ears are thinking that it’s all a good thing and not a farce at all.

Where’s the quiet space? It’s there. This seems to build into something else but I don’t know. The synths are now poking at something and then the bass and percussion have come in and they seem to be a little off-beat but at the same time going along with no issue, so I guess that this is all implying a form of tension but the only tension I can hear is in the song, and it all seems to be some sort of mystery that needs to be unraveled before the end of the song but I don’t know how to get there as the bass throbs away and looks for the killer but there is no killer to be found.

I guess that there is a rise and fall to the whole affair, but the tension is there. It seems to be referencing past songs played in tense scenes in films, but I don’t know man, it could be anything, so long as I get to keep on feasting.

The time it took to write five-hundred words: 06:04:29

So this was in part influenced by a certain part in a certain book by a certain band, as well as another book, as well as the listening to the the first three songs of Trans Am’s latest album California Hotel.

It’s currently raining outside, so that may also have to do with the way this turned out.

Written in The Attic.