So with this shot I really like the sense of space around Taka. Whilst Dahm Majuri Cipolla is in the background, the space around Taka still feels empty.
I like that most of Taka’s pedal boards are visible, rather than their entirety being visible. It’s not much that can’t be seen, but their size and and the amount of pedals is more suggested rather than stated, but you can still see that they’re the boards and the collection of pedals aren’t small.
I think there’s a strong sense of Taka really being in the moment.
This is my submission into Leanne Cole‘s “Monochrome Madness” for this week.
I suggest checking out Leanne’s photography, as well as checking out what other people submit.
A lot of what people are submitting will likely end up here.
I hope you enjoy.