Baraki: Rem

One listen, and this one I was pretty satisfied with. There’s definitely room for improvement, and I think there are parts that would’ve led to far more interesting writing, but this turned out well enough.

Baraki’s “Rem” is from Colony Laspberry.

I hope you enjoy.

Percussion prepares with a specific sounds, some longer than others. Only briefly, however. It’s all layers and it keeps layering. A pulse comes in, relentless. Then it seems some silence and voice. Then more percussion and some bass, really low. Seems to expand and compress in bits, then something else with a distorted plink plays a mysterious pattern.

Other bits and pieces here and there create shape and texture, and the sense of intention and connection starts expanding. The sounds are distinct, but they almost extend from each other. All the while an undercurrent of coldness comes through. A cold like machinery, though there seems to warmth, too.

There’s now a little more space and everything is precise and patient, and something rises up suddenly and fades away, or rather, fades into the background… almost. It’s not quite in the background and not quite in the foreground. It exists where it exists, and it feels organically off, and then disappears when it needs to.

The sound of voice cut up and echoing comes in, though it could just be a non-voice sound that feels like a voice, and as sounds disappear it comes more forward and it seems to sway and dance, and bring in another world. It brings in another world into this space, and that new world seems to look to align with what is here, but it feels at odds. It feels at odds, but it keeps trying. It keeps working, and other things come in as blurs and flashes, and maybe everything is folding in on the space, transforming it into something else entirely.

The space seems stressed, but relaxed at the same time. The sounds relentless in their shifting and moving and coming and going, and in a state of stillness, and everything starts disappearing, fading away, and the song ends.

Posted in Music | Tagged , , , , , , , , , | Leave a comment

Baraki: Whisper-2

One listen. Went in, didn’t think too much about what I was hearing… except for about the mood at times. I think the writing turned out well being less thought about. Covers the song well enough, but still feels vague, but I’m happy with that.

Baraki’s “Whisper-2” is from Colony Laspberry.

I hope you enjoy.

Water moves as waves and soon falls away. A gentle sound plays, seemingly moving back and forth, as though the waves. It starts small and builds, and seems to move away from its beginning whilst keeping that as an anchor. Percussion comes in, light and brisk, and rigid too. And so does something that seems like a voice.

The percussion changes and takes on more shape, and rings out looking forward and cool. It forms rhythms within rhythms, and a melody among voice starts to take shape. The percussion keeps changing, and more sound comes in, filling space, finding moment to add and change the flow.

Percussion reduces, giving the more background elements a moment, then increases and reduces again, and more sound, and the melody expands. It’s as though there’s something wondrous and innocent here, and maybe a little cheeky too. And in it all, the scene expands. The scene fills out.

Percussion is gone. Something floats and curves above, and bass beeps bounce, and a bit of percussion returns and falls away. The bass grows louder, or rather, it steps forward. It moves and it keeps going, and the background seems to shift slightly. The percussion comes back with rapid strikes before once more changing into something precise and rapid, yet slow. Almost groovy.

Other sounds float around, returning to their slot and the percussion fills out once more. This seems climactic now as everything is now here, but it doesn’t become big. It’s not grandiose; it’s not massive, but it feels massive. It feels wondrous.

And gradually sounds pull away, finding their resting point. The percussion fades out, scattered orderly, and soon it’s just that gentle sound finding its own resting point at the song’s end

Posted in Music | Tagged , , , , , , , , , | Leave a comment

Baraki: Boundary

One listen.

I also thought a bit about what I was hearing with this one. I was thinking more about how the sounds progressed more than how they worked with each other. I think that came through strongly, and I don’t think that was the best thing to think about.

Baraki’s “Boundary” is from Colony Laspberry.

I hope you enjoy.

It’s water and a percussive strike. Likely the sound of an object holding water hitting a stone, or perhaps just after dropping water. It echoes, and other sounds float through this enclosed space.

As though water bubbling carries through, and soon percussion enters into play. It seems to strike and shuffle, and find harmony in drops. The space transforms and the percussion takes texture and tone, and takes the flow elsewhere. It’s as though echoing underwater, and it consumes attention. It stops for a moment to reveal another sound, then fills it again.

Something whirs and a voice comes in here and there, and greater form and percussion comes in. Almost an angularity to it, and all feeling quite organic. It’s of low beauty, and there’s a calm among it all. There’s a shifting in how sounds are used, and it seems as though, whilst everything is busy, everything is slow. Rapid, and slow.

Percussion is falling away, and some of the more background stuff is obvious, though perhaps it was always obvious. Perhaps it was always there.

Eventually sound seems to sway back and forth, or rather, smoothly snap back and forth. Other beeps and pulses come in, and there’s this unnerving feeling to it, though also a curiosity. It keeps going, and seems to build and build, and the percussion suddenly falls away. And so do more sounds.

Silent space, with this beeping, though it’s less a beep and more like a whistle. And it too fades, and what is left is a sound slowly moving its way through this empty space, seemingly growing louder, shrinking away, getting quiet again, lingering long enough until it stops and the song ends.

Posted in Music | Tagged , , , , , , , , , | Leave a comment

Baraki: Tuning

One listen.

I thought a lot about what I was hearing and how the sounds worked, but not enough of that came through in what I was writing. Still, I’m happy with the result.

Baraki’s “Tuning” is from Colony Laspberry.

I hope you enjoy.

Something humming fades into prominence, and there’s something else, something different floating alongside that hum. There are a few things, actually. And a voice comes in, or a couple, or mainly one and another that responds. And the voices change, as does the channel. Or the radio. Or both. Or neither.

And the sounds descend a little, and rise, and there’s a darkness to this. Dark and desperate, and slipping into some sort of spiral, or perhaps implying. There’s possibility here, and in a sense this feels very much like an objective view, but at the same time it doesn’t.

Percussion comes in and the crackling of noise, which started before the percussion, continues. It all seems to rattle and shake, and the hums change to something else. Something thicker and like a hollow tube, and then it (and other sounds) disappear, and the familiar hum returns with some other sounds continuing on. Something more distorted flickers, and things change.

Something flickers upward, rises, comes out of a new surface, and everything fades away whilst lingering, and the song ends.

Posted in Music | Tagged , , , , , , , , , | Leave a comment

Spread of Land

I took these photos when driving back to Sydney from Bathurst. Mainly I was trying to get a good photo of the land. Tried to play around a bit with light, but not too much.

I wanted to show the vastness, and these don’t quite capture it, but they show the spread well enough.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. This one is hosted by Elke of Pictures Imperfect Blog, and she has chosen the theme of “Triptych”.

This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.

I hope you enjoy.

Posted in Photography | Tagged , , , , , , , , , | 1 Comment

Australasian Darter

A Darter drying its wings. I think that’s what was going on here.

I hope you enjoy.

Posted in Photography | Tagged , , , , , , , , | Leave a comment

Overhead Swallows

Just a photo of welcome swallows on power lines. There were quite a few of the swallows when I took the photo. The lens I was using didn’t allow me to get them all in the frame, but I like how the photo turned out. It’s not amazing; just pleasant to me.

I hope you enjoy.

Posted in Photography | Tagged , , , , , , , | Leave a comment

At a Beach Somewhere

When I was at this beach, I wanted to get a clear photo of it and the water beyond. No land, no birds; just beach and water. The lens I was using was a specific ultrawide normally used for astrophotography, so if I wanted to get the photo from where I was standing in relation to the shoreline I’d have to accept the things I didn’t want in frame.

I walked down the beach a short distance, and closer to the shoreline. Maybe for a minute. I stopped to check here and there and there’d still be land within the frame. Did it a few times, gave up, went for photos. Took a few facing away from where the land was and they turned out well, but they weren’t what I wanted. I could’ve kept walking, but I didn’t want to spend too much time chasing the photo the way I wanted it when there were other things to photograph.

This is my submission into the three hundred-and-eighty-second Lens-Artists Photo Challenge. The theme for this one is “Rejected“.

I think this photo could be much better. It didn’t turn out how I wanted and it’s one I might soon forget. I used minimal processing; I think the most I did was make the scene a bit darker so it felt moodier. It was an overcast sky, but leaving the correct brightness in the photo didn’t get the the feel across well enough.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Egídio

Ritva

Beth

This one is curated by Egídio. The next one is curated by Tina.

I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.

I hope you enjoy.

Posted in Photography | Tagged , , , , , , , , | 11 Comments

Two Banksia Flowers

I can’t remember if these ones had died off or not, but I felt they worked well with the bare branches here. More about shape than anything else.

I hope you enjoy.

 

Posted in Photography | Tagged , , , , , | Leave a comment

Rambling about a yet-to-be-published Essay

There’s an essay I’ve been chipping away at here and there for months. Far too many months at this stage. The amount of work I’ve done maybe represents half a day, maybe more. It has been a long drag, and the loner it goes, the more I feel I have to make myself write about what it covers.

Well, it’s at the editing stage, but you know. Anyway.

This is an odd thing. My lack of completion has a bit to do with self-doubt. I desire to write. I want to write. I desperately want to write and finish this piece. Is it good enough? Am I good enough? Do I have what it takes to actually write something of substance?

I know that I do and I know that it will be good enough for now, but I still question myself. I still think about the possibility of not being able to do the subject matter justice, and I think about what that means and how that will affect my writing going forward. I know it will be good enough, and I know that it is something that I will surpass as I keep working on being a better writer. As I keep on chipping away at improving and growing, and I know things will change. I know that I will change. Still, I have doubt.

I carry doubt like I carry joy and desire and love and and elation. I carry doubt and I wear it as a shirt that I outgrew years and years ago. I wear it heavy, and I wear it tight, and it feels uncomfortable, but I never take it off. I never resize, and I forget about it but it sits there and it presses down. It presses down on me, and then I remember that it’s there and I go to take it off but I can’t. I am compelled to stop trying and let it hold tight onto my body and stay against my skin, and I never shake it off. And it’s not a good thing to be carrying around as much as I do. One day I might learn. One day. If not to get rid of doubt, then at least to work better with it. Try and get it fitting in a better, less uncomfortable way.

So that’s part of it. Part of it is that, and part of it is that I’m now writing about feelings that have passed, that have left me… or at least linger in a way that they don’t anymore. I’m writing about something that isn’t “me” anymore. This isn’t the worst thing, of course. A lot of writing ends up historical, and I think that that’s a good thing. However, in this instance, I feel concerned too, as I’m being vulnerable in a way that, admittedly, I have been plenty of times, but this feels really naked in a way. It feels naked and uncomfortable, and I wonder if I have the honesty in me to be able to put myself out there in a way I haven’t in perhaps a while.

In all creation there is something of the creator that is put forward, whether they want to or not. Often it is something minimal and often it is a lot. It’s a range, and sometimes you’re aware and sometimes you aren’t, and in this case I am highly aware. I am highly aware of what I will be putting down, and I wonder if I can. I wonder if I can do that to myself, even if it turns out to not be that much.

I wonder about a lot of things, but here I will be writing about something that involves a lot of pain. I wrote about it a lot last year, and in this essay it’s nowhere near as much. I need to bear that in mind. It’s nowhere near as heavy and revealing as perhaps it feels to me right now, but last week would’ve seen nine years of a relationship I’m glad to be out of, and maybe it’s the timing that makes finishing the essay feel more difficult to me. I don’t know.

The context of the essay involves that relationship. Well, it involves the aftermath of being dumped, really, and I guess that in a way, even though I am in a far better and healthier situation now, and even though I’m seeing someone who has been much, MUCH better for me, it still hurts in a way. To dredge through the pain, so to speak. And maybe I can’t do it.

The problem here is that I have to.

I have an order of things that I need to do. I know I don’t, but here I need to as it feels right. It sort of tells a narrative, even though that narrative is very light, and that’s why I need to do this the way I need to do this. That’s why I need to get this essay done. I don’t know if I can, though.

I mean, I will. Of course I will. I desire to write and I desire to finish it, and I know that once it’s done, that’s fine. I just don’t know how comfortable I am with putting out a piece that feels quite vulnerable for me, even if I’m not saying too much. Maybe I’m saying a lot and I don’t realise it, maybe I’m not. I don’t know.

Writing about the hesitancy is turning into an essay of sorts, though very much a personal one. This isn’t the worst thing of course. Could be far worse. Could be far better, but could be far worse. But I’m spending more time writing words about a thing than working on the thing.

Sometimes we need to allow ourselves to be uncomfortable, especially if we are willing to work on something. Sometimes it is the best way forward, and sometimes it allows for better things to happen. I feel as though I should allow my discomfort to go to the side, and stop holding onto it, and get on with editing and publishing, and that’ll be that. And then I can do the next thing, which will hopefully happen faster. I don’t know until I actually finish and publish the essay, so even though I’m uncertain and hesitant about it; even though I’m uncomfortable with the vulnerability of it, I should finish and publish the essay.

Posted in Essays | Tagged , , , , , , , , , , | Leave a comment