The Milky Way Comes From the Lights

I took this photo last year and didn’t share it until now. Not sure why. Getting this took going up a hill outside of Sydney in strong winds. The nearby town was visible and you can see the wind, but I don’t mind. The conditions are captured, and I’ve not done much astrophotography.

This is my submission into the three hundred-and-seventy-fifth Lens-Artists Photo Challenge. The theme for this one is “Where to Find the Mysterious“. Space is mysterious to a lot of people, and we can get a glimpse of it almost everywhere, but associate it with what’s beyond the sky… or what’s visible in the sky at certain times. Anyway, I feel this fits the theme. The Milky way can be seen well at certain times of the year, and in some locations you can get a really good view. The further from an artificial light source, the better.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Egídio

Ritva

Beth

This one is curated by Patti. The next one is curated by Beth.

I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.

I hope you enjoy.

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Light Rail in Motion

This is my submission into the three hundred-and-seventy-fourth Lens-Artists Photo Challenge. The theme for this one is “On the Move!“. I took this specifically for the challenge and did so on Monday. Came through more in editing as the light was a bit blown out, hence the aggressive cropping. I think it works.

Transport in motion is still transport, but is it transport if it is not moving? Pointless, lazy philosophical question, but you know.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Egídio

Ritva

Beth

This one is curated by John. The next one is curated by Patti.

I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.

I hope you enjoy.

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Yasunori Mitsuda: Reminisce -Enduring Thoughts-

One listen.

Figured I hadn’t done this one and it interested me, so I did it. It was easy to get through, but tough at the same time. I think it was due to the length (turns out there’s a longer version and, even though I’ve listened to the soundtrack this comes from, did not realise for some reason), which is why I switched writing very early on, or at least I think why. I’m not entirely sure.

Yasunori Mitsuda’s (光田 康典) “Reminisce -Enduring Thoughts-” (“回想 ~消せない想い~”) is from Chrono Cross Original Soundtrack, the soundtrack for Chrono Cross.

I hope you enjoy.

A quiet space finds a friend in emotive keys that play fragile and seem to ask some questions. They play with the space, dance slowly with it. Find moments within the steps they take, find the points in which they can look back fondly and look to the future, but also look at the now. The now is always important, and perhaps there’s a sentimentality for the now in the keys. They say enough, but before they can say more they stop and the song ends.

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Quruli: Mind the Gap

One listen and I’m fairly certain that parts of this song were easier to write about than others. I think it’s due to how it flows and how it makes use of samples, particularly the bagpipes. Anyway, I think I covered the song well enough. Probably could’ve written more about it being a somewhat upbeat, celebratory piece, or at least coming off that way.

Quruli’s (くるり) Mind the Gap (“静かの海”) is from The World is Mine.

I hope you enjoy.

Everything comes in; beat, bagpipes and other assorted samples. A voice saying “Mind the Gap”, then another that’s difficult to catch. A shift and the bagpipes continue with something a little different. The beat comes back in full and the bagpipes shift once more.

Everything is a steady procession, cut into slices and coming in where they fit. Seemingly filling out the space is, and seemingly calling for celebration, or procession. And it all seems to stretch into an eternity whilst the sounds of a busy space come in.

Everything changes and everything becomes more cut up in a sense, and everything seems to speak more of the train station. It moves more and more to that and seems more and more split into pieces, and then the bagpipes return and the piece continues as roughly close to how to it started.

And the beat drops away and bagpipes are left, fading away in what feels more and more a celebration of the train station, or station attendants. Fading away as the song ends.

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Mr. Soon: Arcosanti

I wrote this pretty quickly after the last Mr. Soon track I wrote about, and I think a bit of that writing carries forward here. Or feel. The songs are pretty similar (similar, but different) so it sort of feels like a through thread, and I think that’s okay here.

Mr. Soon’s “Arcosanti” is from Places in Arizona.

I hope you enjoy.

Brief breaks in silence distort as harsh sounds. Develop a tension and a low urging beat underneath comes in. That beat soon builds into something more rapid. Gentle still, but louder, more pronounced, sort of emphasising parts here and there.

The harsh sound disappears, the beat drops away and something new and perhaps jazzier comes in. It’s gentle sounds looking to a tomorrow, or looking into a alley. Looking into something and the beat changes tones with it, too… when it returns. And then the sounds sort of descend and gently drift, and the beat changes to something with a little more space. Still rapid, but there’s a little more space. And it’s nice and gentle and easy, and everything is relaxed. Everything is relaxing, and eventually that beat stops, as do the sounds.

A new beat comes in. Steady, simple, minimal, though there are other sounds in there. Those sounds are muffled and could also be percussive, but this is all gentle still. Could be bass. Anyway, there’s a suddenly calm burst of sound, and it’s responded to by other light and easy sounds. All sounds that are smooth and slick, and without a concern for style. Without a concern for how they sound other than within the context of their use among what else there is.

And that beat drops away, and these sounds continue on drifting, floating away, going somewhere that’s not here and fading out as the song ends.

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Central Time

I took this yesterday, and specifically for this challenge. Had to go through Central, took a photo of the clock tower and this clock, and this photo is what I want to submit. It was taken quickly and turned out well, I think.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. This one is hosted by Margaret of From Pyrenees to Pennines, and she has chosen the theme “Clocks and Timepieces”.

This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.

I hope you enjoy.

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Board of Keys

Today is going to be an interesting day. It’s going to be the first time I’ve been at UNSW for a while. I was there… at the start of last year? The year prior? For photo stuff, but it’ll be the first time I’ve been back in a while. I have mixed feelings.

Actually, I don’t. I don’t know if I have feelings about it at all. I’m there for some gathering of the administrators, and it’ll be interesting. It’ll be interesting to see how it all goes, and it’ll be interesting to be talked at for a good long while. Or not. Who is to say?

Why am I writing this? What am I writing at the moment? Why won’t my hands move faster? When I find myself at Duoly Rob, I am inclined to relax, but right now I don’t want to relax; I want to race across the board of keys. I want to race out of the city. I want to race into an open space. A space where the stars are visible at night, and where the sense of nature feels endless. I want to be elsewhere and everywhere, and nowhere and everything and nothing all at once, and I want to drive into wherever and whatever may come my way. I want to move and I want to move freely, and I feel I cannot. At lest, not right now.

I do know, however, that I am getting paid to not be at work today, and that’s good. That’s something to look forward to… maybe.

So I desire a sense of freedom I am currently lacking. What’s new. What’s different? Maybe this comfort is leaving me with some discomfort. I don’t know. I am yet to know. Maybe I’ll never know, and does it matter? Does it matter what it is that I feel I may need to work out? Does it matter that I’m sitting here, relaxing, trying to get a bunch of words down? Does it matter that I’ve so much ahead to get through before I can really relax? I don’t know, and I don’t care to know, I think. Maybe. It’s all uncertainty.

But if I did have my way with things, I certainly would let loose and soar… over the road. I’d drive and drive, and I’d not return for a while. I’d spend my time thinking and trying to work out where things went wrong and why things are now going right, and I’d make sure that each day I’d have I’d spend thinking and driving, and working things out, and going form there. And I’d go and come back changed… or not changed at all. Maybe I’d come back relieved and the desire to move would have left me, and I’d sit and finally rest. I’d rest and take it easy, and think more. I’d walk along a bay, and look at what I see around me, and wonder how it was that I was able to get so far in life, and I’d think about structure and shape, and eventually I’d head on home and rest some more. Until then, however, I’ve got to be at UNSW, and a bunch of other work days to attend to.

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Mr. Soon: Ventana

This was written in one go, and it sort of functions on loops and I found that interesting. I don’t always, but here I did and I don’t know why. Didn’t come through in the writing, but I do feel I captured an idea of the song well.

Mr. Soon’s “Ventana” is from Places in Arizona.

I hope you enjoy.

A few drifts of sound descend, bright, muted, peaceful. Low, looking forward. Then the beat comes in and it’s steady. Sort of has space; it has a stride and that stride is nice and easy. And the beat feels out some more, and now it’s a bit busier. Everything is peaceful and the beat is busier, but it’s light. There’s still space, and now it continues on and some more percussion comes in, sort of as a pitter-patter. The earlier sound has fallen away and it’s just the percussion, and then that leaves.

A new form and percussion is back in similar, yet different form. Low synth sounds sort of bob up here and there but remain low, and maybe it’s actually some other percussion. Maybe both; it’s difficult to tell. A voice sampled moves along with it and the percussion disappears, as well as the voice, and these remaining sounds are left there to keep going until they, too, stop.

Then it’s back to the start, sort of. That original drifts of sound are there; the pitter-patter percussion remains, and all is gentle. All is peaceful, and then it’s just the drifts and something else. Things lurking at the edges, or rather wafting around, and then the last sound and the song ends.

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Five-Hundred Word Challenge 1546: Using Word

So I’m using Word to write this and I don’t know why. Easier to just not, but I am. Just need to remember how it considers numbers and I should be good.

It has been a long time since I last used Word to write one of these. Been somewhere around ten years, I think. Somewhere around there. It has been a long time. It’s not something I’d normally do. But now it makes me think of all the things I’ve written, or rather, all the places I’ve written in and all the experiences I’ve had in the last ten years.

Think I might be getting a bit sentimental.

A lot of writing over the last ten years, and a lot of writing over the last eleven. A lot of writing in general, really. I’ve said a lot of crap and some good, and I’ve written about this before s why am I doing so again? There are other, more important things to worry about in this day and age and this is what I’m choosing to go on about. Can I not think of other, better things to cover? Can I not do that instead? Apparently not, but you try. You grow and you try and I am trying, and hopefully through all of this trying I will get to the end of what it is that I’m trying to get to the end of.

Not looking forward to the absolute cluster of writing I’m about to churn out, starting in the next few days, but you grow and learn and I am always learning, and I always hope to get a good ending going, regardless of how sad it might be. Anyway.

So there’s less than six months now and I am tired, but I’m getting back to where I hoped I’d be, and maybe I will get there in the end. Going to take a lot of work, but maybe I will get there. Just a lot of writing and churning to do, but it always is and it never ends. Even beyond here, it never ends. It just changes shape. Changes form. We find where the things lie among all the crap, and you’re just treated to all the crap rather than only the polished refinement of everything and nothing, and somewhat in that order.

Anyway.

I think I should be doing more important things right now and I’m not, but that’s okay. I’ll survive. I’m just losing myself in my thoughts and my thoughts swirl around and I try to get them into an order that I can comprehend. And I’ll get there one day, and today is not that day but I’ll get there. I’ll get to a point where I feel good about everything and am not questioning whatever, wherever and whenever. I’ll get to a point where I write something worthwhile, and I won’t write it in Word. And maybe it’ll continue on from what I’ve written before, and maybe it won’t.

The time it took to write five-hundred words: 06:32:08

Written a few days ago, shared now due to fatigue and procrastination taking over my life once more. That and transcribing. Anyway, this was an easy write to write, and I think that’s a good thing.

Written at work.

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An Office Like Any Other

This is something I wrote earlier today. I think it gets across a certain kind of tedium that a lot of people probably know, even if they aren’t quite aware of it.

I hope you enjoy.

It was a office like any other. Rows of desks, open plan, loud space, but quiet space. Usually it was empty, or at least with low attendees, but even so, being there always felt like being watched. It was difficult to shake the feeling.

They typed on their standard keyboard and words appeared on their standard monitor. The other monitor had their emails open, though their main purpose was to be deleted, offering no real information that was key to the role or the organisation. Just employer-mandated junk, wasting space, justifying roles existing.

They typed and words appeared, and they prepared an email that, realistically, could’ve been far more stock than what they were doing. But sometimes a little flair had to be added, just to help kill the tedium for a few moments. Just to help push away the dullness of being in an office with a job that promised business but could never deliver. But it only pushed it away; that dullness would always come back.

They could read but they’d get in trouble as they weren’t working, but there was constantly so little to do that there needed to be other things to help stay entertained. To help keep the brain going, and so reading became a covert war of sorts. So did job hunting. How to get it done without people seeing, unless no one was in that day, of course. But those days were less exciting as there was no challenge in it. Relaxing days were better, of course, but they didn’t offer much in the way of satisfaction.

Office cricket was not viable, and neither were chair races, even if there were a minimal amount of people in and even if those people also were fighting to stay motivated and moving. Couldn’t risk injury; couldn’t risk something getting damaged. But with the right people, those things wouldn’t matter so much. Endless conversations about which band and which artist were experienced when, how their music fit into the greater cultural morass, and whether they deserved to be part of the zeitgeist or not, and which zeitgeist they’d be most appropriate for anyway, and the political state of things, and where society was going. Grievances were aplenty on some days, and so was heavy introspection. But these moments seldom lasted. They blended into an indistinct mass, occasionally resurfacing as fragments to talk about once more, and the memory and conversation would be shaped by those missing parts.

Occasionally, on rare days there would be work. There’d be something that resembled being busy, but it was also such a low amount to what comfortably busy could be, and it’d either peter out before the end of the day, or it’d be spread thin from the day’s start to end. The latter would lead to rough days; too busy to risk getting invested in something else, and too quiet to avoid the dullness. But that’s the way it went sometimes.

And the days went on and they tried to stave off the tedium of it all, and they looked for work elsewhere and tried to entertain themselves where they could. They were aware of their great fortune, but it was one that came with drawbacks, and their leaving wouldn’t change that space. Someone would, inevitably, fill their seat and eventually go through the same things, and morning would move to afternoon again.

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