The End OF The Ocean: -aire Review

Another review.

You know the drill.
This is also on Culture Eater.
My colleague and I are working on growing Culture Eater, so please check it out and see what other people are contributing.

Anyway, here’s the review.

My first experience with The End Of The Ocean was a while ago now.
I think I was going through a bad breakup, or something to similar effect.
Or I wasn’t. I can’t remember. I know that I experienced The End Of The Ocean a while ago and now I’m listening to them once more. The reason being that aire, their latest album came out a few days ago.

It’s not long before -aire announces itself as a lively-sounding album. Generally the songs hit a bit harder and put out more energy than what’s on the typical post-rock album. There’s also a bit less of a focus on being cinematic and emotive, but those elements are still there.

In places -aire sounds influenced by post-hardcore, or at least melodic heavy music. The songs are more direct but still blend in more indirect sources which leads to a sort of harmonious contrast, so to speak.

Another way of putting it is that the songs unfurl gradually and have breathing space. The End Of The Ocean also know when to fill that space with loudness. If they were just one thing and not the other then the songs would be pretty boring. If the loud sections felt like they were there for the sake of being there, then they’d drag. Instead the songs remain a strong sense of dynamic interplay whilst also remaining nimble.

To The End Of The Ocean’s credit, they are a talented group. There are some really good songs on -aire­; possibly some of the best that The End Of The Ocean have ever crafted. There’s a clear indicator of how each member contributes to each song. Overall they feel more like a group of composers than a band. Furthermore, their music is often based less on the performative aspect of music. As such, it’s easy for the music to pull you in without you thinking about the band behind it.

Unfortunately almost from the beginning of each song you get told what the mood is going to be and how you’re meant to feel. Furthermore, the push for the cinematic and atmospheric is still quite dominant. This isn’t necessarily a bad thing as it can make for some great music. However, The End Of The Ocean sound like they’re moving past post-rock clichés, or at least recontextualising them by finding new approaches to old tricks but haven’t gone as far as necessary.

With that said the way that The End Of The Ocean handle these issues is significantly greater than most bands of their ilk could ever claim. Whilst blunt, the album isn’t by any means bad. -aire does make for a satisfying listen due to how everything connects and the emotional aspect is not necessarily unwelcome. The cinematic nature and atmosphere of the music is still there but it’s not dominating the songs. There are some big, grandiose endings but often they’re an earned payoff. The songs embrace the idea of a journey more as a natural aspect rather than something that is there for the sake of being there.

-aire is a well-developed release that does well to show The End Of The Ocean’s growth. A good deal of work went into the album and for the most part it pays off. -aire is adventurous and interesting, but it’s more of a mid-growth album than it is a definitive statement. It needs to be stressed that this is not in any way a bad thing. There are some flaws, but there is a great deal of promise. The further they move away from the cinematic and the emotive drawl, the more exploratory and developed a band they become.

All said, -aire is worth the time.

The End Of The Ocean’s -aire is available here.

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Sprawling Eastward

An eastern section of Sydney.

Here we get a minor section of train line, some of The Domain, Darlinghurst, Kings Cross and a slew of other suburbs.

Other than Bondi Junction, most of the taller buildings seem to be more scattered throughout this area and instead there’s more of a concentration of places designed to appear to be suburban even though they are much closer to urban.

I like how there’s vegetation spread throughout the area, but I wish that there were less buildings.

I like the way the clouds in the distance frame the area. It feels almost as if everything just suddenly cuts off rather than continues.

I also like just how vast a view this is. There’s a significant amount of space in this shot. Yet once more the area seems small, and it probably is. At least from this view it is.

I’m sharing this photo as part of The Lens-Artists Photo Challenge.

The theme this week is “Cityscapes“.

This challenge is hosted by four people and cycles weekly:

Week 1 – Patti

Week 2 – Ann-Christine aka Leya

Week 3 – Amy

Week 4 – Tina

This week is hosted by Patti and next week’s will be hosted by Leya.

I hope you enjoy.

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The Public Transport Line Ride

I took this picture last year and intended to share it, but I don’t know why I didn’t.

There was a large line of people waiting for a bus outside The Queen Victoria Building.

I don’t know if the bus was late or if there weren’t enough for the time of day.

You can see how people are trying to kill time.

Some of them look a little odd and I think that has to do with the angle of the camera.

I like that The Queen Victoria Building makes the people feel small, and I also like that a lot of the people feel static.

This is my submission into Leanne Cole‘s photo challenge.

Leanne’s now merged two photo challenges that she runs. The theme for this one is “Arches”.

Part of the reason as to why I’ve chosen this photo is the arch. It’s rather ornate and grand in appearance.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

Anyway, I hope you enjoy.

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Five-Hundred Word Challenge 518: The First One of the Year

And so I sit here, at a desk, but it is not my usual desk, for I am not at work. I am at home and I am working on things and I am at a desk doing the work that needs to be done in order to do the work that needs to be done.

Are you following? Good.

That is all to say that I am yet to start work for the day, for there are still things that need to come before the work of the day at the work of the place begins.

I am going to be getting as much done as possible beforehand, of course. But that may mean that instead of actually doing the things, I may instead be a lazy person of lazy stature. Or something like that. It is too early to tell.

So I’ve moved and I’m settling in nicely. At a desk where I don’t feel like I have to hunch all the time. That is a massive bonus, let me tell you.

I am working on a new computer of sorts and it is already making things much faster and more efficient. The old computer is still here and still will be loved as much as necessary.

For now it is on a bit of a hiatus whilst I work with something significantly more efficient and required for my needs of working. Needs of working need to be worked upon and there are things that this does much faster than the old power house that the older computer is.

Why am I talking about this? This does not matter. There are other things in which are more important to discuss.

Actually, there’s not much to discuss really. The last week has been busy but relaxing. There was a night recently where I went to bed late and woke up late and then I felt temporally displaced. That was weird. Still a bit tired, but what can I do, other than keep on keeping on?

I’m enjoying where I am. I’m glad to have my plants back. Blah blah blah. You get the idea.

Things are going well and I’m getting back into a work ethic of getting as much done as much as possible without being lazy about it all.

I guess at the moment life feels really good, but at the same time the year feels like it’s gone on for a really long time. We’re only up to day twenty-two and I already feel like I’ve been living this year for far longer than I should. Oh well. The dilution of the passage of time… wait; that’s not the right phrase, is it?

Do I even care right now?

What I do care about is getting a bunch of things done before I head to work this afternoon.

Will I get that bunch done?

Well, that is for time to tell and not me, so I guess all I can say is that we’ll see.

Maybe.

The time it took to write five-hundred words: 05:50:74

So I’m going to be picking up the pace once more. Hopefully.
Probably a bit more relaxing.

So this post is kind of okay. A little too lazy, I think.

In other news, soon I’m going to be going through everything here and trying to clean a bunch of things up, so if you’re ever feeling about going diving through all the stuff here for some reason, now’s the time.

Written at home.

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Failure: In the Future Your Body Will be the Furthest Thing From Your Mind Review

This Review can also be found on Culture Eater.
My colleague and I are working on growing Culture Eater, so please check it out and see what other people are contributing.

Anyway, here’s the review.

Borne from a somewhat-interesting approach, In the Future Your Body Will be the Furthest Thing From Your Mind is the new Failure album. Recorded in four parts, the album also saw release in four parts.

The title is an interesting one. It could suggest either thought processes or a connective separation. Many of the tracks suggest the latter rather than the former, but there still is room to think about it.

In the Future… progresses in an interesting way in that it kind of becomes spacier the further on it goes. However, it still remains firmly grounded on earth. It is less of a rock album and a bit more heady than what Failure usually do. It’s significantly calmer when it really needs to be, but there are moments when Failure do rock out.

This achieved by reducing guitar prominence. The instrument is still there but it doesn’t dominate everything. This does lead to a more minimal sound on a few tracks, as well as a more cinematic feel. As such, all the instrumentation gets to speak a bit more. Generally there’s also a bit more space and atmosphere on the album.

Furthermore, there are a number of more angular and abstract sections for a few of the songs that slot in pretty well with Failure’s approach to the music. The songs are less direct, but not to the point where they don’t fade off into the background.

In the Future… also feels much like a progression on from The Heart is a Monster. There is a direct connection sound-wise, but Failure are experimenting and pushing outward here. Essentially the band sounds comfortable with what they’re doing, but they also don’t sound like they’re resting on their laurels.

Unlike The Heart is a Monster, the segues take up much less of the album’s tracks. They segment the album a bit better and fit well into In the Future…’s flow. They’re also more ambient this time around and as such do well to bridge the various segments of the album.

Failure recorded and released four EPs that, when played together form the album. It can be bought as either cumulative parts or the whole album. Or, at least it could for a while. Failure have now removed the options to buy the EPs in pairings and only the whole album is available for purchase. There was no real incentive to buy the EPs over the album. The cost for the first three EPs and the album was the same ($12.00 US). Furthermore, with the album you get the entirety of the experience so it makes sense to remove the EPs from purchase. However, this raises the question of why they were an option for more than a month after the release of the album as a whole.

Another issue is that instead of varying the tracklist to provide a different way of viewing things, the songs here are presented as they were released. The whole thing does kind of work better as a whole, but if you went the EP route, then nothing’s stopping you from queuing them . There’s nothing new. There was no incentive to get the EPs over the album and vice versa. Realistically, rearranging the tracks to a different order wouldn’t have done much to create incentive, but it would have made for a potentially interesting contrast and experience.

Due to not varying the tracklist, In the Future… kind of begins twice.
“Dark Speed” is a good opener as it does well to let you know to not expect more of the same.
However, due to the tracklist not being altered for the full album, there’s now enough of an argument to say that the album could easily have begun at “Segue 10”, or one of the tracks from the second quarter.
At times it breaks the experience as the album feels like it gets moving, then starts again.

Furthermore, In the Future… suffers from one of the problems as the last album: There are too many tracks. There isn’t any filler and the songs are all, at the very least consistently well-made. At the same time there needed to be trimming. The album gets a bit too long by the end and drags despite the quality of the songs.

For some people In the Future… will be fine at its length, but I cannot justifiably say that it’s length is fine. Yes, pretty much all the songs are good but it still feels bloated. There’s no reason as to why some of the songs could have been dropped. There’s also no reason as to why this could have potentially been two albums. A slight delay to work on some additional songs outside of the EPs, then working out what works well together and splitting this into two albums would have been massively beneficial. Instead at times the album feels like a lengthy slog.

Whilst this no longer matters, perhaps leaving some of the songs exclusive to the EPs or LP would have also helped and created incentive to get one, the other or both.

Ultimately this doesn’t say too much about the album. However, it’s important to discuss the way In the Future… came to be and how the process impacts the album. Failure make great music and their stated intentions for this album’s form of creation and release are admirable. However, the approach and result feels like a bit of a missed opportunity.

That all said, In the Future… still is a decent album. It’s clear the tracks have seen a lot of attention and effort. Failure have played more with space this time around and as such the more minute details and textures of the songs really come through. It’s more Failure and it sounds genuine. The band could have knocked out an album that was “in character”. Instead they pushed outward more and produced a work that, whilst flawed in places, is a satisfying experience.

Failure’s In the Future Your Body Will be the Furthest Thing From Your Mind is available here.

 

 

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A Shot of Anderson .Paak

Last week after the first main moving part I went to the Anderson .Paak gig at Hordern Pavillion.

It took a little bit for photography accreditation to come through and as such the photographer who was going to cover it for Culture Eater wasn’t able to anymore.

My colleague asked if I could cover the gig. I said yes because we had the opportunity and didn’t consider that someone else who helps us out could have covered it.

I also didn’t take into consideration how much moving would tire me out. I thought about that later on but I didn’t renege as I didn’t want to pass on being able to do more gig photography.

I went, took the photos and left shortly after. We were allowed to come back in but I was tired and wanted to rest. I also heard and saw enough to write a review that I thought would be informative.

You can find the review here and the gallery here. Please go check them out.

Here’s one of the photos from the gig.

Anderson .Paak’s show had projections that worked really well with the performance.

I like how the colour and light contrast work both with Anderson .Paak and the patterns in the background.

I think that the curve of the shape in the background works well to both frame Anderson .Paak and draw attention to him, but I also think that it doesn’t exclude the rest of the shot.

I’m sharing this photo as part of The Lens-Artists Photo Challenge.

The theme this week is “Curves“.

This challenge is hosted by four people and cycles weekly:

Week 1 – Patti

Week 2 – Ann-Christine aka Leya

Week 3 – Amy

Week 4 – Tina

This week is hosted by Tina and next week’s will be hosted by Patti.

I hope you enjoy.

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Bee House of Hooves

Wake up, get out of bed and make your way to the destination at hand.

there are gardens that need to be watered, but that is not your task fort he day. Only for the morning before you get to anything else.

Rise the seeds over a period of time, And let the sunlight summon them toward the sky, awakening their being and allowing their sustenance.

You gotta get moving and grooving and getting a bunch of things done today.

You gotta get the go on and get some more go again as soon as you can, but if you don’t then you know that there are always no alternatives, no options, no surrendering to the beating still sun above all that is as it pumps out its life force and enraptures all, despite the novelty having long worn off.

Could there be other ways around the whole thing? Could there be new horizons to experience and embracing pathways that lead to an objective goal at hand?

There is no way to tell other than looking forward, but you gotta keep going anyway so there is a chance that even trying to reach the progress of the station may not be all that it seems.

But then again, perhaps it all is. Perhaps in un-jumbling the message the embrace of the breathing can only cause the expansion and collapsing of the body through repeated motion and gradual incline and decline.

No knowing until the knowing is going and the lines smooth out to contract and retract and inspire to perspire the respiring trying of the lack of dying.

But then again, what is in a bee house of hooves on a perturbed dawn?

You can only do what you need to do in that instant, but the choices are yours to embrace and the reality is yours to contort. You’ve a long way to go, but at least it is your journey to embrace and travel and your direction to choose.

—–

So a few words about this.

I was going to do a word challenge but decided not to. Had other things to take care of so I wrote this whilst on hold.

A bit jumbled, a bit messy, but it’s probably more about word flow than it is something that makes sense.

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From the Domain to Sydney Harbour’s Entrance

Another Sydney Cityscape, but this time featuring a little more water.

I think that this photo gives a really good view of this particular section of Sydney.

I think that the photo gives a good idea of how vast the area is, but also makes it feel a little smaller.

As the distance increases the details become a bit more vague, which I think has to do with whatever was hanging in the air. It was likely pollution. Sydney is not often thought of as being polluted but this is something that is going to become more and more common if things don’t start changing.

I think that it is pollution as, aside from the clouds hanging near the horizon, the weather was clear and dry on this particular day.

The pollution concerns me, but I do like how in this photo it makes things fade as the distance increases.

I do like the way you can see the vegetation among the urbanisation of the region as it prevents buildings from completely overwhelming the land.

I also like the way that the harbour contrasts with everything. Buildings are small and the body of water is comparatively massive.

This photo kind of makes North and South Head appear small, but you also get an impression of their size.

This is my submission into Leanne Cole‘s photo challenge.

Leanne’s now merged two photo challenges that she runs. The theme for this one is “S”.

I chose this photo as I think that it represents the letter well by showing a part of Sydney viewed in an uncommon manner.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

Anyway, I hope you enjoy.

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A CBD of Varying Heights

Taken from a high vantage point.

Specifically, the Centrepoint Tower.

I think this is a slightly odd angle, but it does give a really good idea of how the buildings are layered in this part of Sydney CBD.

I like the way the light falls on the buildings as you get a good detail of colour and shading that gives the area a bit more of a distinct appearance.

I hope you enjoy.

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Moved Once More

It’s so early in the year and it’s already been a bit of a long one. I feel like it;s dragged on for a bit already. So much has happened in such little time and I’ve nothing really to talk about at the moment.

However, I’m not going to get into all the drama and bullshit that has transpired in such a short time. Instead I shall get into the details of moving once more.

So once more I’m living away from the city. Not too far, but not too close either. I’m in a place close to where I grew up and I’m enjoying the reduced amount of noise. I’m enjoying it more than I thought I would, if I am to be honest. However, if I am to be more honest, it was not something that I considered regarding the move, so I don’t know how much I thought I was going to care about the noise, or anticipated to care.

I’ve lived in two different areas of the inner west now (to clarify, I’m not referring to suburbs) and something that strikes me as interesting is how non-diverse suburbs such as Newtown and Glebe are versus suburbs slightly further out but still in the inner west, and yet the ones closer to the city are considered representative of the inner west.

I’m also taken aback by how much it seems that people in the trendier suburbs seem kind of unwilling to venture farther out due to inconvenience, or some other reason.

The inner west of Sydney is a pretty large region and yet it seems to be considered as being only the trendy suburbs and it doesn’t make sense to me. The trendy suburbs are kind of not that great. Aside from a small few, they feel superficial compared to other parts of Sydney.

That’s not to say that there aren’t problems elsewhere, but there seems to be a bit more going on just a little bit further out. It’s just not as pronounced as no one seems to be interested in going there, which is kind of a good thing.

Anyway, I’ve moved into a house once more and once more there is a backyard.

It’s a quieter area but an area that still has good access to public transport.

Nothing too major.

That’s all I have for now.

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