Quruli: Mind the Gap

One listen and I’m fairly certain that parts of this song were easier to write about than others. I think it’s due to how it flows and how it makes use of samples, particularly the bagpipes. Anyway, I think I covered the song well enough. Probably could’ve written more about it being a somewhat upbeat, celebratory piece, or at least coming off that way.

Quruli’s (くるり) Mind the Gap (“静かの海”) is from The World is Mine.

I hope you enjoy.

Everything comes in; beat, bagpipes and other assorted samples. A voice saying “Mind the Gap”, then another that’s difficult to catch. A shift and the bagpipes continue with something a little different. The beat comes back in full and the bagpipes shift once more.

Everything is a steady procession, cut into slices and coming in where they fit. Seemingly filling out the space is, and seemingly calling for celebration, or procession. And it all seems to stretch into an eternity whilst the sounds of a busy space come in.

Everything changes and everything becomes more cut up in a sense, and everything seems to speak more of the train station. It moves more and more to that and seems more and more split into pieces, and then the bagpipes return and the piece continues as roughly close to how to it started.

And the beat drops away and bagpipes are left, fading away in what feels more and more a celebration of the train station, or station attendants. Fading away as the song ends.

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Mr. Soon: Arcosanti

I wrote this pretty quickly after the last Mr. Soon track I wrote about, and I think a bit of that writing carries forward here. Or feel. The songs are pretty similar (similar, but different) so it sort of feels like a through thread, and I think that’s okay here.

Mr. Soon’s “Arcosanti” is from Places in Arizona.

I hope you enjoy.

Brief breaks in silence distort as harsh sounds. Develop a tension and a low urging beat underneath comes in. That beat soon builds into something more rapid. Gentle still, but louder, more pronounced, sort of emphasising parts here and there.

The harsh sound disappears, the beat drops away and something new and perhaps jazzier comes in. It’s gentle sounds looking to a tomorrow, or looking into a alley. Looking into something and the beat changes tones with it, too… when it returns. And then the sounds sort of descend and gently drift, and the beat changes to something with a little more space. Still rapid, but there’s a little more space. And it’s nice and gentle and easy, and everything is relaxed. Everything is relaxing, and eventually that beat stops, as do the sounds.

A new beat comes in. Steady, simple, minimal, though there are other sounds in there. Those sounds are muffled and could also be percussive, but this is all gentle still. Could be bass. Anyway, there’s a suddenly calm burst of sound, and it’s responded to by other light and easy sounds. All sounds that are smooth and slick, and without a concern for style. Without a concern for how they sound other than within the context of their use among what else there is.

And that beat drops away, and these sounds continue on drifting, floating away, going somewhere that’s not here and fading out as the song ends.

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Central Time

I took this yesterday, and specifically for this challenge. Had to go through Central, took a photo of the clock tower and this clock, and this photo is what I want to submit. It was taken quickly and turned out well, I think.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. This one is hosted by Margaret of From Pyrenees to Pennines, and she has chosen the theme “Clocks and Timepieces”.

This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.

I hope you enjoy.

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Board of Keys

Today is going to be an interesting day. It’s going to be the first time I’ve been at UNSW for a while. I was there… at the start of last year? The year prior? For photo stuff, but it’ll be the first time I’ve been back in a while. I have mixed feelings.

Actually, I don’t. I don’t know if I have feelings about it at all. I’m there for some gathering of the administrators, and it’ll be interesting. It’ll be interesting to see how it all goes, and it’ll be interesting to be talked at for a good long while. Or not. Who is to say?

Why am I writing this? What am I writing at the moment? Why won’t my hands move faster? When I find myself at Duoly Rob, I am inclined to relax, but right now I don’t want to relax; I want to race across the board of keys. I want to race out of the city. I want to race into an open space. A space where the stars are visible at night, and where the sense of nature feels endless. I want to be elsewhere and everywhere, and nowhere and everything and nothing all at once, and I want to drive into wherever and whatever may come my way. I want to move and I want to move freely, and I feel I cannot. At lest, not right now.

I do know, however, that I am getting paid to not be at work today, and that’s good. That’s something to look forward to… maybe.

So I desire a sense of freedom I am currently lacking. What’s new. What’s different? Maybe this comfort is leaving me with some discomfort. I don’t know. I am yet to know. Maybe I’ll never know, and does it matter? Does it matter what it is that I feel I may need to work out? Does it matter that I’m sitting here, relaxing, trying to get a bunch of words down? Does it matter that I’ve so much ahead to get through before I can really relax? I don’t know, and I don’t care to know, I think. Maybe. It’s all uncertainty.

But if I did have my way with things, I certainly would let loose and soar… over the road. I’d drive and drive, and I’d not return for a while. I’d spend my time thinking and trying to work out where things went wrong and why things are now going right, and I’d make sure that each day I’d have I’d spend thinking and driving, and working things out, and going form there. And I’d go and come back changed… or not changed at all. Maybe I’d come back relieved and the desire to move would have left me, and I’d sit and finally rest. I’d rest and take it easy, and think more. I’d walk along a bay, and look at what I see around me, and wonder how it was that I was able to get so far in life, and I’d think about structure and shape, and eventually I’d head on home and rest some more. Until then, however, I’ve got to be at UNSW, and a bunch of other work days to attend to.

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Mr. Soon: Ventana

This was written in one go, and it sort of functions on loops and I found that interesting. I don’t always, but here I did and I don’t know why. Didn’t come through in the writing, but I do feel I captured an idea of the song well.

Mr. Soon’s “Ventana” is from Places in Arizona.

I hope you enjoy.

A few drifts of sound descend, bright, muted, peaceful. Low, looking forward. Then the beat comes in and it’s steady. Sort of has space; it has a stride and that stride is nice and easy. And the beat feels out some more, and now it’s a bit busier. Everything is peaceful and the beat is busier, but it’s light. There’s still space, and now it continues on and some more percussion comes in, sort of as a pitter-patter. The earlier sound has fallen away and it’s just the percussion, and then that leaves.

A new form and percussion is back in similar, yet different form. Low synth sounds sort of bob up here and there but remain low, and maybe it’s actually some other percussion. Maybe both; it’s difficult to tell. A voice sampled moves along with it and the percussion disappears, as well as the voice, and these remaining sounds are left there to keep going until they, too, stop.

Then it’s back to the start, sort of. That original drifts of sound are there; the pitter-patter percussion remains, and all is gentle. All is peaceful, and then it’s just the drifts and something else. Things lurking at the edges, or rather wafting around, and then the last sound and the song ends.

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Five-Hundred Word Challenge 1546: Using Word

So I’m using Word to write this and I don’t know why. Easier to just not, but I am. Just need to remember how it considers numbers and I should be good.

It has been a long time since I last used Word to write one of these. Been somewhere around ten years, I think. Somewhere around there. It has been a long time. It’s not something I’d normally do. But now it makes me think of all the things I’ve written, or rather, all the places I’ve written in and all the experiences I’ve had in the last ten years.

Think I might be getting a bit sentimental.

A lot of writing over the last ten years, and a lot of writing over the last eleven. A lot of writing in general, really. I’ve said a lot of crap and some good, and I’ve written about this before s why am I doing so again? There are other, more important things to worry about in this day and age and this is what I’m choosing to go on about. Can I not think of other, better things to cover? Can I not do that instead? Apparently not, but you try. You grow and you try and I am trying, and hopefully through all of this trying I will get to the end of what it is that I’m trying to get to the end of.

Not looking forward to the absolute cluster of writing I’m about to churn out, starting in the next few days, but you grow and learn and I am always learning, and I always hope to get a good ending going, regardless of how sad it might be. Anyway.

So there’s less than six months now and I am tired, but I’m getting back to where I hoped I’d be, and maybe I will get there in the end. Going to take a lot of work, but maybe I will get there. Just a lot of writing and churning to do, but it always is and it never ends. Even beyond here, it never ends. It just changes shape. Changes form. We find where the things lie among all the crap, and you’re just treated to all the crap rather than only the polished refinement of everything and nothing, and somewhat in that order.

Anyway.

I think I should be doing more important things right now and I’m not, but that’s okay. I’ll survive. I’m just losing myself in my thoughts and my thoughts swirl around and I try to get them into an order that I can comprehend. And I’ll get there one day, and today is not that day but I’ll get there. I’ll get to a point where I feel good about everything and am not questioning whatever, wherever and whenever. I’ll get to a point where I write something worthwhile, and I won’t write it in Word. And maybe it’ll continue on from what I’ve written before, and maybe it won’t.

The time it took to write five-hundred words: 06:32:08

Written a few days ago, shared now due to fatigue and procrastination taking over my life once more. That and transcribing. Anyway, this was an easy write to write, and I think that’s a good thing.

Written at work.

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An Office Like Any Other

This is something I wrote earlier today. I think it gets across a certain kind of tedium that a lot of people probably know, even if they aren’t quite aware of it.

I hope you enjoy.

It was a office like any other. Rows of desks, open plan, loud space, but quiet space. Usually it was empty, or at least with low attendees, but even so, being there always felt like being watched. It was difficult to shake the feeling.

They typed on their standard keyboard and words appeared on their standard monitor. The other monitor had their emails open, though their main purpose was to be deleted, offering no real information that was key to the role or the organisation. Just employer-mandated junk, wasting space, justifying roles existing.

They typed and words appeared, and they prepared an email that, realistically, could’ve been far more stock than what they were doing. But sometimes a little flair had to be added, just to help kill the tedium for a few moments. Just to help push away the dullness of being in an office with a job that promised business but could never deliver. But it only pushed it away; that dullness would always come back.

They could read but they’d get in trouble as they weren’t working, but there was constantly so little to do that there needed to be other things to help stay entertained. To help keep the brain going, and so reading became a covert war of sorts. So did job hunting. How to get it done without people seeing, unless no one was in that day, of course. But those days were less exciting as there was no challenge in it. Relaxing days were better, of course, but they didn’t offer much in the way of satisfaction.

Office cricket was not viable, and neither were chair races, even if there were a minimal amount of people in and even if those people also were fighting to stay motivated and moving. Couldn’t risk injury; couldn’t risk something getting damaged. But with the right people, those things wouldn’t matter so much. Endless conversations about which band and which artist were experienced when, how their music fit into the greater cultural morass, and whether they deserved to be part of the zeitgeist or not, and which zeitgeist they’d be most appropriate for anyway, and the political state of things, and where society was going. Grievances were aplenty on some days, and so was heavy introspection. But these moments seldom lasted. They blended into an indistinct mass, occasionally resurfacing as fragments to talk about once more, and the memory and conversation would be shaped by those missing parts.

Occasionally, on rare days there would be work. There’d be something that resembled being busy, but it was also such a low amount to what comfortably busy could be, and it’d either peter out before the end of the day, or it’d be spread thin from the day’s start to end. The latter would lead to rough days; too busy to risk getting invested in something else, and too quiet to avoid the dullness. But that’s the way it went sometimes.

And the days went on and they tried to stave off the tedium of it all, and they looked for work elsewhere and tried to entertain themselves where they could. They were aware of their great fortune, but it was one that came with drawbacks, and their leaving wouldn’t change that space. Someone would, inevitably, fill their seat and eventually go through the same things, and morning would move to afternoon again.

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Shallow North Dakota: GJ

One listen, and another where I just went in. Some active thinking here and there and still a sense of being broken up, but I think this one is better than the prior one. I might feel that way due to how soon after the previous one I wrote this. Continuation and all.

Shallow North Dakota’s “GJ” is from Auto Body Crusher.

I hope you enjoy.

Percussive strikes, counting almost before percussion comes in in full. Echoing, distorted, claustrophobic. Slow, steady. Rumbling, almost. The space is empty and it is full, and the pattern plays out with a great unease. Ominous. It plays simple and powerfully, and plays out and along. It continues onward and perhaps its sense of being singular is oppressive. It changes in sudden shifts and remains monotonous and relentless.

The percussion shifts and shuffles and ripples in bright, muffled pools. It has nothing but itself and the silence that presses in around it. It drives forward and eternal, but it does not push on with energy, still. There is energy there, but it lumbers and lurches forward. It seems almost lacking, but it is full.

The percussion picks up and seems to speed up a little, too. More residual noise leaking off from the percussion fills the space between each strike, and the shape changes. The process changes, and maybe it’s breathing in a sense. Maybe it’s breathing and pushing on, and heaving and gaining pace. Gaining movement through the arc of each swing and strike, and falling like rain until one final strike that rings out until the song ends.

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Shallow North Dakota: Salvo

One listen.

Just went in, knocked it out. Paused for thought a few times, but got this done in what I feel was a smooth writing process. It does feel a bit broken up, but that’s how everything was coming to me.

Shallow North Dakota’s “Salvo” is from Auto Body Crusher.

I hope you enjoy.

Distorted percussion rumbles and strikes, thuds into a floor, echoes out and suddenly is engulfed by a morass of noise. It’s still there, seemingly moaning underneath it all, just bits and pieces caught and held under, specific and vague.

Suddenly it breaks through and plays a bit faster before sinking down once more and falls apart. Loses its shape whilst remaining recognizably itself. More a suggestion; more a nothing, and disappearing melding into a distance, into a quiet noise; a hiss and fading, and still there, slow, disassembled, almost.

Having exploded and arced and sunk down, and little is left. Everything is there, but it’s nothing, lost in a thick, engulfing wall; a harsh wind, and fading out into nothingness.

Something rises up; a pulse that perhaps represents what once was; what gives an idea, and it builds and suddenly releases into a full sound that suddenly stops at the song’s end.

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Light Rambling About Music and Place

New Year’s Eve 2013. I was listening to The Afghan Whigs’ “Crime Scene, Part One”, somewhere around the time of the tick over to 2014. I was getting a little too introspective. “What if this is all there is? What if I don’t go anywhere from here? What if there’s nothing else?” And other things that can often lead to spiraling when one isn’t doing well. My partner at the time had gone out and I chose to stay at home. I was not feeling good, and, thankfully, I didn’t take some of those feelings too far.

A couple of nights ago I was listening to The Twilight Singers’ “Dynamite Steps”. I’m getting a little too introspective. “What if this is all there is? Am I not going to go anywhere from here? I have reasons to be happy right now, but maybe this really is it”. I was thinking dark thoughts and I was not doing well. But I didn’t spiral. I didn’t think of going further, and that is a relief.

I know why listening to The Twilight Singers in that particular moment made me think of NYE  2013. I know why it took me back there, but I’m okay. I haven’t been suicidal for a good few weeks now, and that’s a relief. And I was a little too introspective, but things have changed.

Music is interesting in how we are so readily willing to allow it to soundtrack our feelings and experiences. We let it carry us and sometimes we seek it out to reinforce our own feelings. We’ll seek it out to tell us something that allows us to reaffirm, and sometimes we don’t. Sometimes it just hits us in ways we didn’t expect it to. And that’s the wonder of it.

Music can say so much about scene and place and time. It can tell us a lot about why we might seek certain feelings or sensations, and it can reveal a lot about how we might be able to step away from spiraling, or move away from feeling things, even if joyous. We can see where it takes us; we can look into it and find relation, even if a subject is not relatable. It’s part of the beauty of the art that is music. But I think I might be getting away from what I was hoping to say.

Actually, I don’t know what I was hoping to say. I do know that in these two listening experiences there are differences. I’m older and in a different situation. I’m less stressed and overwhelmed at the moment, and I’m more functional, and I’ve got things picking up for me. I’m doing okay, and doing okay is better than bad. Sure, things could be better, but they are getting better and that’s the main thing. I’m slowly improving, and some songs are still going to hit me hard. Probably will for the rest of my life.

Greg Dulli has a way with music. Some of his stuff does feel comforting, even if it isn’t. Some of it is definitely not comforting. Both “Crime Scene, Part One” and “Dynamite Steps” are heavy songs, but the latter feels a little lighter, if only just. I think about life more with the latter, and there’s a sadness in it that’s different to the former. Maybe it’s from age and weariness. I don’t know, but it speaks effectively.

Maybe this is all there is and I’m not going to go further, or at least much further than where I am now. Maybe I’ve “peaked”. Maybe I don’t have a place to be anymore; a place where roots can form, and maybe it doesn’t matter, because all I have is now, and I’m doing okay, and I will be doing better.

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