The First Song is “Feather”

So yesterday I got dumped at lunchtime. Eight years. A time both short and long by many measures. I tried to get back to working, couldn’t. Left work early, they were understanding.

Talked about it with my now-ex, she was set on it. She has her own stuff to deal with and she wants space right now. Fair. As much as it hurts, I get that. She also doesn’t want to try again, even through couples counseling. At the same time, she’s scared of losing me. I’m not emotionally mature enough to wait or do the friend thing, and I don’t think that’s fair on me.

This started on Wednesday evening, or rather, it started a while ago, but this started Wednesday evening. Partner comes home, is feeling upset. I dig, she said she didn’t want to say anything. I keep digging; I’m not the perfect partner, or even a great one, but if there’s something I can help with I want to help.

And then it came forward.
She feels we need to be apart and wanted space, and she needs to work on her own stuff, but she’s scared of losing me, but she doesn’t feel the same way about me as she’d had previously.

Not her exact words, and I pried more because it sounded like I was being dumped, and that’s not what she wanted to do, but she wasn’t sure… these things are, of course, hard. It is, as is the norm, a complex situation.

So then I was, but I wasn’t. But I slept in the empty room we weren’t finding a housemate for as we preferred to absorb the cost if it meant we weren’t worrying about a third. We’d both had troubles with other housemates, and so absorbing the cost meant I was fortunate in a saddening way.

Yesterday day I called my partner during lunch. We were meant to have an inspection and she worked from home to be there for it, but it was cancelled as the inspector was ill, which she messaged me about earlier in the day. I was still upset so I ignored it, but I called around lunch and got the full details. We then went on to discuss the issues further and I got dumped. We kept talking, but eventually had to stop. Tried to get back to work, couldn’t. Left early.

Went home, walked around a bit, eventually went to our room. We spoke about it some more.

I don’t want to get into the details of my partner’s life. She has things going on and she needs to deal with them, and I’m sure she will. If this is how she feels she needs to go about it – with distance from me so she can deal with them on her own – then I need to respect that. Where we fundamentally disagree, however, is that I think our problems are surmountable. She doesn’t.

When I spoke to my partner on the phone yesterday, I suggested couple’s therapy. My partner got annoyed as it was something she had suggested in the past. I’m not quick with these things. It takes me time to think on them, and that’s not good. But I’m open to the idea now, and especially because I think it can help. Anyway, she doesn’t think it can and doesn’t think we’ve been getting better. I put forward what I believed, she still didn’t think the relationship can be worked on. It felt like she wasn’t willing to consider what I said anyway, but she responded how she felt, and I don’t want her to feel pressured or manipulated into this.

When speaking to my partner about why, because everything seemed okay, she said that if she hadn’t said anything the day prior she probably would’ve pushed through, but once she spoke about how she felt after I asked her, she felt that that was that.

I spoke to some friends about it after. When it came to speaking to Ewe, I told him how I felt about the whole thing and that I still believed that we can get past our issues, but I wasn’t trying to push it more, because what can I do at that point anyway? And I talked about how I didn’t want to do what I did last time. I had to deal with it and go from there.

This morning I drove to work. Didn’t want to be on the bus. Put on the last playlist I created. The first song is “Feather”. I probably thought something along the lines of “here we go”. Headed to work and, along the way, realised I wasn’t in the best frame of mind to drive. But I got there okay.

So now I’m home, trying to make sense of it all. Trying to work out why my partner doesn’t feel affection for me anymore, but is scared of losing me. It having been the length of time is rarely the sole reason. Trying to make sense of her reasoning.

I’m deeply upset. I’m devastated, and it hurts, but this stuff always does. But at the same time I feel nothing.

I want to cry, but I’m holding off until I’ve some sense of stability back in my life. I still need to find another job and avoid being homeless. If I cry now, I’ll end up not functional for a week or two, and I don’t have that time right now. Right now I have to pick up the pieces, let the hurt happen and then work on rebuilding. But once I have another job, or another roof over my head that’s not this one, then I’ll cry.

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A Slice of Rust

This is another rust photo, and and I feel it works well in monochrome. To me, it looks like a close up of rock, or perhaps a distance above a rocky landscape.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week. The next one is hosted by Leanne, and she has chosen the theme of “One Image Cropped 3 Ways”.

This challenge is open to all, and I recommend joining in. If want to, check out more information about it here, and include the tag “monochrome-madness” when you share your photo. If you’d prefer not to join in, then at the least check out Leanne’s photography, and what other people submit.

I hope you enjoy.

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Five-Hundred Word Challenge 1464: Mood Dump

What a year, and we’re not even three full months in.

Putting aside all the pretty scary stuff going on in the world for this bit of writing, I gotta say, I just want some fucking stability in my life. Is that too much to ask? Job uncertainty, relationship uncertainty, home uncertainty… it’s just not stopping. Last year things seemed to level out; this year it’s back to how it was, but with the added uncertainty of a relationship.

I don’t like venting my spleen much, if at all. I’ve done that here before and it’s not what I want to be doing, but I’m so tired and so overwhelmed, and I just want to be able to keep working on the things that I want to work on and not have to continually put them to the side. I just want to be able to head on home and not wonder if I’m still in a relationship or not. I want to be able to keep working and not have to keep applying for jobs whilst having to consider that I could very well be unemployed and homeless pretty soon.

It’s great and all to say that things will turn around, but I’m living it now and it’s an absolute pain trying to get an interview at the moment. I’m tired and I have to keep going, but I’m so very tired. I just want to sleep and rest, and not have to worry about stuff for a while, but I have to keep worrying. When is it going to be my turn to actually live a life of comfort beyond a few months? When will I be afforded this opportunity?

Some people will say that working hard gets success or something along those lines, and I often find that it’s not necessarily the case. There’s always so much chance and it ends up being a thing one says if they want to comfort themselves. Don’t get me wrong; I think working hard is important. I don’t think it guarantees success, however. There’s a lot more that goes into that then just going down a line, and that’s something a lot of people don’t seem to want to realise.

This is a cynical thing to say, I know. I don’t want to be saying it. I want to be saying happier things and talking nonsense, but it just isn’t a good time. I want to keep going but shit’s heavy and I’m gonna have to put things down sooner rather than later if these continues. When do I get my break? When can I truly excel? Where does my luck come through, beyond my luck in managing to keep surviving?

Yeah, no one owes me anything, but, as said earlier, I just want stability. I don’t want to have to worry about stuff for a while. I don’t want to be going through waves of uncertainty. I don’t feel that that’s too much to ask, but maybe it is.

The time it took to write five-hundred words: 08:42:93

Decent speed. Bit messy, but it’s a messy time. Reflective of the experience, or something.

Written at work.

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Gradual Layer Removal

I think this photo is interesting in how it shows erosion.

I hope you enjoy.

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Coming to the Platform

Really clear photo, this one. Actually, maybe it’s not, but it looks clear to me.
Not as massive as a wave can appear, but I still like what’s coming forward. There’s motion, and perhaps a sense of that motion being frozen. I also like that there’s a sense of volume to the wave. It feels very full to me.

I hope you enjoy.

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Masafumi Takada: Hotel

One listen.

Not sure if I captured the song well. I wrote about something that came from it, but I’m not sure if I expressed the mood coming through well.

Masafumi Takada’s (高田 雅史) “Hotel” is from Killer7 Original Sound Track, the soundtrack for Killer7.

I hope you enjoy.

Lingering, spacey keys move, feel a bit off. Feel a bit tense. Suddenly a release that lasts a short time, then back to the fragility. There’s thought here; there’s thinking, perhaps reflection. Wondering what is as they keys play with space and volume, slowly pacing about, moving here and there but not really moving anywhere.

A moment of relief brushed aside by pressing further down, and the keys retain their precision, and come to a rest before going back to thinking. Going back to the sense of offness. Playing with space and playing with the dark.

There seems to be a resolute familiarity of a space, and being trapped in that space, or at least feeling trapped. There is something that is searching beyond what a train of thought provides, and the keys shrink and expand as they echo, and move between comfort and discomfort. Eventually they fade out, and the song ends.

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Keiichiro Segawa: Trans – Am

One listen.

The soundtrack this song is from is an exercise in minimalism in a sense, and it also sounds very amateur. I can see how it would work and it is interesting; I think I can understand what the composers were going for, but it’s not quite there. But it is interesting for at least one spin.

Anyway, what I wrote probably reflects that quite well. Not the best bit of writing. There’s an idea of what I was going for, however.

Keiichiro Segawa’s (瀬川圭一郎) “Trans – Am” is from the soundtrack for Armored Core: Master of Arena. I believe the soundtrack has the same name as the game. However, as far as I’m aware it has only been released in full as part of Armored Core Original Soundrack 20th Anniversary Box, a box set celebrating the music of the Armored Core series.

I hope you enjoy.

A beat strike and pitter-patter along with a bouncy piano line. That piano soon disappears for more percussion to come in, a bit louder. Then it comes back for a moment, then disappears and more percussion comes in. The percussion is layering, and the piano come back and disappear, and more percussion, but the melody lingers.

There’s something light and pleasant here, but it also exists in contrasts. There’s also something heavy about it. But the piano comes back and soon something else. Some sort of electronic motion that moves slowly and quickly, and transforms. Sounds come and go, but the core beat remains as does this new sound, but eventually it disappears.

It’s a weird sort of joy. Upon one return of the piano, it soon shifts after into something perhaps a bit more jaunty, but it doesn’t last long and soon the song ends.

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Masafumi Takada: Sweet Blue Flag

One listen.

I was playing catch up for most of this one. When I realsied what kind of sound the song had, things sort of became easier. It’s kind of a futuristic sound, or at least a futuristic sound of the era this bit of music came to be in, and it’s always interesting to me. Did that come through well in the writing? No. But I still like what I wrote. Could’ve been much better, but it sits alright with me.

Masafumi Takada’s (高田 雅史) “Sweet Blue Flag” is from Killer7 Original Sound Track, the soundtrack for Killer7.

I hope you enjoy.

Jazzy keys with perhaps a bit of rock in them, and a bit of percussion seems to slide across the space. Suddenly an aggressive beat comes in, striking repeatedly, not letting up. Other sounds come in, warp around, move here and there, look forward to a destination.

That new one disappears and something else comes into its place, an electronic bass-ish thing that charges onward. The sound of something akin to voice, then a sudden pause, then it resumes and it all feels like the future.

This sound seems to pulse, or at least move in specific steps and drive toward a smoothness through all of its exploration of minimal maximalism. It keeps going, pulsing, thrusting, charging forward, carrying that sense of the smooth and sleek. New sound comes in, congealing, seemingly taking over and the beat shifts and pulls away.

Is this a breather? It is hard to say, but it seems unlikely. Sounds are disappearing; the dramatic close has been found. The sounds shrink away, and those jazzy keys are there, playing out as the song ends.

 

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Masafumi Takada: Department of Defense

One listen.

I was caught off guard by the song ending. I’m not sure why I was expecting a longer song, though likely due to covering stuff that’s more than just over a minute. Alas. Anyway, I think I got across some of how this song feels and sounds. I think that, perhaps I could’ve done more, or tried to focus on other stuff – my writing here gets a bit meandering toward the end – but still, some of that feel comes through.

Masafumi Takada’s (高田 雅史) “Department of Defense” is from Killer7 Original Sound Track, the soundtrack for Killer7.

I hope you enjoy.

Drum roll followed by the big strike. A militaristic beat plays out whilst strings carry a serious air of power among them. They drift with drama, then suddenly rise into short stabs whilst the beat plays faster. It’s a moment of urgency, of force.

Slows down again and the beat plays out. There’s a bell, though that may have been there before, and something akin to voice. It’s a big, echoing moment, forceful, and it comes to a stop, and the song ends.

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Five-Hundred Word Challenge 1463: Trying to Dump Words

What’s the time right now? It’s writing time.

Somehow I just lost twenty minutes and I’ll probably lose twenty more before the day is over. I’m not jumping through time, however: I just… lost it.

Where did it go? What does it want? Where is it now? And all of these other irrelevant questions that swirl around.

Right now I’m trying to dump words and get back to carving. Keep the train going. Get to the end of the swim. All those sorts of things. I’m trying to find the direction and make my way to wherever it points. Trying to get to the end of it all, or rather the start of the rest of it. See the sky, find the blue, stand at where the sand meets the sea and the sea meets the sky, and watch the clouds as I float along for a few short seconds. Find the space and go on through there.

I’m trying to imagine a series of things and see where they fall, and from there maybe that’s the path ahead. What am I trying to imagine?

What am I even writing here?

What am I trying to imagine? Where does this all lead? Why questions? Are there even a need for questions still, or have all the answers of all time already been provided? Do we even face the day if there is no day to face? Am I going to face the day and fall asleep? I don’t know.

Actually I’m pretty stressed at the moment but the day has to be faced, regardless.

I don’t know why these particular words are the ones that are coming out from me right now, but I feel that in letting them, perhaps there is some sort of narrative that will come forward. Maybe the path will reveal itself.

Wait, I do know why I’m writing these particular words. It’s all about warming up, rather than trying to find a way forward. I already know the way forward and I know what I need to do and I am currently doing it.

There is no waste. There are no bits and pieces that I’m casting aside, and all is well and fine. Still stressed, but I’ll be dealing with that pretty soon anyway. I’ll be dealing with the stress and moving on and going there, or here, and from wherever that all leads I go on and… yeah. But right now it’s just about getting things out of me so I can move on to the other things. Get back to editing down and pushing forward, and all those other things that sound good. That seem to make me feel good, or something.

Actually, there is no feeling good here and as I churn I just churn neutrally. Let it all come out… neutrally. No coming in form the sides with a happy disposition here. No raging; no pissing off the volcano. Just flat neutrality in a place of nothingness, layering over eternities.

The time it took to write five-hundred words: 06:04:03

Decent speed. Big mess of writing, but maybe that’s okay at this particular moment.

Written at work.

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