Nobuo Uematsu: The Mines of Narshe

One listen.

This is a song I’m quite familiar with, and my comfort in that familiarity may have hampered the writing a bit as instead of switching off, I wrote what I already thought, mainly.

There are some parts of sentences that are a bit less things I’ve thought about, but overall… it does give a strong idea of the song and how it’s used, but this could’ve been more.

Nobuo Uematsu’s (植松 伸夫) “The Mines of Narshe” (“炭坑都市ナルシェ”) is from Final Fantasy VI: Original Sound Version (also known as Final Fantasy VI Original Soundtrack), the soundtrack for Final Fantasy VI.

I hope you enjoy.

Strings and strings stir, lowly rising, revealing a fragility. Bass and percussion come in as the strings waft, and the sounds move through that fragility, but they also move through tension. They move through a deep heaviness, and a cold.

Keys flicker in but keep their space, and soon something akin to woodwind comes in, rises up, calls out, seems to cry out, before lowering and fading away.

The sounds loop and the air is thick, and that piano dances on a wire once more. The woodwind cries out once more, and pressure pushes on in this downbeat space, and it continues all on, uncertain if it will reach a breaking point, and the sounds fade as the song ends.

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Holding Upright

I cannot remember the name of the band this person is in.
I think this is a pretty good photo. Would be better if the guitar’s head was in the frame entirely, but I think at least the shape of the person and their guitar is interesting. Seems almost like a sculpture.

I hope you enjoy.

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Cube Cubed

The artwork is actually called Shadows of Perception and is from artist Faith Semiz.
This was seen at this year’s Sculpture by the Sea.

I hope you enjoy.

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Building Clouds

This is a test photo I took after getting my camera back from servicing. I think it turned out pretty well. Nice bit of reflection, everything is pretty crisp, and no dust from what I can see.

So this is also a reflection photo, though that goes without saying, and aesthetically it fits that mould, but I think that with stuff like this it’s good to think about the contrast between the urban reflecting the natural.

This is my submission into Leanne Cole‘s Monochrome Madness for this week. For this one Brian of bushboys world has chosen a theme, and the theme is “Clouds”.

Participating is pretty straightforward and something I recommend. If you do, then include the tag “monochrome-madness” in your post. If not participating, then at the least check out Leanne’s photography as well as what other people submit.

I hope you enjoy.

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Five-Hundred Word Challenge 1431: Ewe and the Mysterious Man

Morning. It’s morning. Need to think of something to churn out . Need to think of what Ewe would want to read.

Actually, I don’t, but maybe I will. That’s a good idea. Okay, let’s see.

Alright, so there was this one time where there was this person… let’s call them Ewe… and Ewe wanted to do a backflip. However, in order to do such a bold and audacious move, he was required to go on a long and lengthy journey that was equal parts long and lengthy. And this is something that he didn’t feel much up to the task of doing.

You see, the thing with Ewe is that he was, on some days, a mighty ox, and on others, a mewing kitten. On this particular day he was just cutting down trees with his bare hands in order to go internal in order to find the cure for what ails ya. But even with all those trees felled, a grand emptiness spread through him like a grand emptiness in an open space. There was a lack of fulfillment, and thus he knew not what it was that could be done about the whole thing.

Barring finding the unmighty shoat, or the lackadaisical bonito, there was little that would point in a direction that would allow Ewe to fulfill his sudden desire of filling this grand emptiness. He knew that the backflip desire was a ruse and not something that would make him feel satisfaction, other than through the process of using his sheer force of will to rotate in the air, and that can be satisfying for a moment or two. But it was an idea that had to be abandoned. He would revisit it at another juncture.

So the first thing Ewe did was go about replanting all the trees that he felled, and in doing so he saw a mysterious man standing by a door, wearing a peculiar hat. The trees grew back to their original state, and then some, but Ewe did not care, for this man was mysterious, and he was standing next to a door.

Ewe looked at the man, and when the man was looking back Ewe nodded twice, shook his head once, nodded three more times, grimaced for a brief moment, then breathed heavily enough, yet as silent as the Blue Mountains valleys are ancient, then nodded once more. The mysterious man nodded in response, then opened the door.

At this point in time Ewe knew what he had to do if he wanted to further did into the inside of himself. He knew that the answers, and perhaps the fulfillment lay beyond. However, instead of walking through he turned around. He rejected the possibility, because he knew that it shouldn’t be that easy.

In that rejection, the mysterious man and the door began to explode into a thousand shards, and a fine, fibrous paste.

It was over. Ewe had passed the test, but perhaps it was the first of many.

The time it took to write five-hundred words: 08:02:63

I don’t know why I wrote this, but I can confirm that part of this references something Ewe said once, and I’ve referenced it in other bits of writing before, but it’s also here, so… yeah.

Written at work.

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Hitoshi Sakimoto: The Tomb of Raithwall

One listen.

I wanted to try and pull out the “stuffiness” of the song, or rather that’s what was coming to me, but I didn’t feel right putting that forward, so I didn’t, or rather tried not to overtly state it. Not sure if I was successful.

Hitoshi Sakimoto’s (崎元 仁) “The Tomb of Raithwall” (“レイスウォール王墓”) is from the soundtrack for Final Fantasy XII, Final Fantasy XII Original Soundtrack.

I hope you enjoy.

Percussion plays a light and steady rhythm in a darkened, thickened space. It plays quiet as other sound seems to shine through the dim here and there, and the percussion builds back up, but it remains low, and it almost seems reverent.

A few quick rumbles and the percussion pulls back a little, but other bits and pieces come in, and it remains steady. It also seems sharpened here, and not quite tense. That reverence remains, but there’s something unnerving. Something uncomfortable in it all as it continues on and builds, but all it builds to is a return to the start.

The percussive sounds play out their dimmed melody, and they keep themselves low still, but they also build and come forward. They remain low and they remain with a sense of calmness, but they carry an intensity. They carry something that lurks within, and they move with an ease.

The sounds are familiar with their space, and they know the structure and passages. They know where everything lies and they know how to navigate it, and they know when to build and hold back, and they cast themselves outward whilst remaining in their low state. They quietly quietly as the sounds fade and the song ends.

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Five-Hundred Word Challenge 1430: Need Sleep

So right now I could spend some time working on a review I should’ve had done a good few months ago at the absolute latest. I could work on that, but I’m not going to because I don’t feel like it, and no one can tell me otherwise.

Actually I do feel like it but if I start getting stuck into it right now, I won’t get enough done and breaking the flow to work on other things isn’t the best thing that I can currently do, so instead I’m doing some word churning.

Word churning; that thing that people love that I do, where I churn out a bunch of words in a particular order in order to get an order of ordering across. That kind of thing, you know?

But I sit here and it’s loud and quiet, and the weather is not nice but I don’t mind, I’m inside. I have things to do. I get to pretend that right now, I am important. Won’t be for much longer, but am right now, in my own little world, flitting about and looking at the things and wondering why I put a calendar up at an angle. Need to try to not notice that. It’ll distract me from this most unimportant mission of which I am going through at the moment.

Yes, I need sleep. I need sleep desperately. I am running on a low amount, but I can still get through the day. I can still achieve something out of all of this. At least, I think I can. Maybe I cannot. Don’t know yet. Won’t know until later, when the day actually starts. For now I can pretend, however, and pretending is what I will do.

I will pretend that I am not going to get dangerously close to falling asleep today. I am going to pretend that all is fine and fineness is all there is, and I will get to where I need to get, and I will get there with some sort of non-reckless abandon. Nothing will fall and all will be fine, and that’s a good thing as it means I don’t have as much to worry about… or that is what I’ll tell myself, at least.

Maybe won’t tell myself that. Maybe instead I’ll just pretend that it’s all chaos and in all the chaos I can get to the truth behind it all, and the matter of the subject will reveal itself, but there will be so much chaos and intensity that I lose it the moment I get the tiniest glimpse, and then I’ll spend the rest of my life chasing something that was never there in the first place, for it was always out of reach and it could only have been there if I had been more ready, or reactive. But then that might break the nature of things and so it’s better off this way.

I think I might need to go to bed early tonight.

The time it took to write five-hundred words: 05:25:43

I feel I should read over this, but I won’t. Already know it’s a mess. Happy to forget about it.

Written at work.

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Winter’s Exposed Branches

I took this photo on the way to work back in winter, and I should probably get a photo of the tree now, see if its leaves have come back. Haven’t really paid attention.

Anyway, a bit of a stark photo, with a bit of focused cluttering, I think.

This is my submission into the three hundred-and-twenty-eighth Lens-Artists Photo Challenge. The theme for this one is “Winter“.

The host of the Lens-Artists challenges cycles weekly between the following people:

Tina

Patti

Ann-Christine aka Leya

John Steiner

Sofia Alves

Anne Sandler

Egídio

Ritva

John is curating this one. The next one is curated by everyone.

I recommend joining the community and participating in the challenges. They’re pretty straightforward, allow room for interpretation, and provide a good way to think about photography in general. If not, however, then at the very least you should check out what others submit to the challenges.

I hope you enjoy.

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Hitoshi Sakimoto: Abandoning Power

One listen, and to be honest I thought I’d have more to say.
It’s a short piece but a rich one, but not much came forward. Happens.

Hitoshi Sakimoto’s (崎元 仁) “Abandoning Power” (“捨て去りし力”) is from the soundtrack for Final Fantasy XII, Final Fantasy XII Original Soundtrack.

I hope you enjoy.

Gentle keys rolling into a fade as vocals follow along. Gentle, and perhaps sad and relieving. Soon strings come in and pulse whilst woodwind flutters over it all, gently, lightly and yet heavily.

The sounds all turn to something a bit more up and relieving, and brass comes in with a brief punctuation, as does more woodwind, and it’s all angular for a moment before everything suddenly returns to the start.

The moment repeats and reinforces, and there’s affirmation and relief, and confidence in the decision. Suddenly the sounds roll and spread out in a positive way, in reassurance, and they keep themselves brief before everything fades out and the song ends.

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One Thousand Word Challenge 209: A Conversation at a Beach

For what seemed a while, the two sat there without speaking a word. The sound of the waves lapping at the wide stretch of beach carried the silence, as did a light breeze as first light broke the darkness, and sunrise led into a pallid, gray and cold morning.

The fire’s flames flickered and gradually diminished, revealing more of the glowing wood underneath, and the two remained in silence. The robed figure, still, looking at them with all sorts of seriousness. They themselves, looking into the flames and finishing off their meal, not wanting the company so much, but having invited it, not feeling as though they could say much of anything.

Eventually the silence broke as the robed figure spoke:

“You know, this is perhaps a strange place to rest for a traveler.”

“…How so?”

“Well, you’re on an island that’s along a dangerous route, or so a lot of people believe. It’s one you take if you want to avoid attention.”

“I wanted to see what is out here. Have some time to spare.”

“Would you not prefer to reach your destination sooner?”

“Not really, no.”

“Well, that is of course your choice, but the tide comes in here quite rapidly. Easy to get stranded in the wrong location, such as this alcove.”

“Is that why you’ve come out here? To warn me?”

“To warn you? You could say that.”

“For what other reason would you come out to a spot like this on a dangerous route?”

“Perhaps I was looking for rest. Maybe it was company. Just to talk to another traveler. Why wouldn’t you want to reach your destination sooner? What attention are you looking to avoid?”

“I’m not. I’m just making a delivery, and the recipient won’t be available until a certain date, so I’m also going along sightseeing.”

“What sights are there to see? It’s all water out there.”

“Well, I also log many things, take sketches, try to gather information.”

They reached over to their pack and pulled out a salmon leather-bound journal. Unwinding the lock, they carefully showed the robed figure some of the sketches and notes, being sure to only allow glimpses rather than full information.

“This path is dangerous, yes, but this job has allowed me time to go through here, and see what is along here. Hopefully find things not studied well enough, flow patterns, structures. Maybe some of the various animals around, hopefully get a good start for a good study.”

“So you’re a courier and a researcher?”

“Mostly a hobby researcher. Not looking to sell the information I come across, but maybe improve things. Make some things safer. You know.”

“Perhaps there’s a good argument to let this region and let this route remain as it is. Let the flow of nature decide, rather than start rendering it hospitable to all. There’s a lot lost when a place becomes crowded. It transforms into an idea of what it once was, and not as it should be… not that this place is untouched, of course. But it feels untouched, and maybe it’s better we try to stop it from fragmenting.

Why not delivery by boat or cart, though? Seems like it would be faster. Safer. Better at ensuring a quick delivery, and keeping it ready upon arrival.”

“This is what they wanted, and plenty of parcels are delivered on foot still. And yes, it is good to preserve what we can, and the act of study and understanding is key to that. But if we can make things safer and retain the surrounding area, then maybe that’d be best for all.”

“Well, you best be careful. You don’t know what’s going to happen along this chain. The nearest town, if you don’t turn back, is still a few days away. Some people live along here, but they’re not necessarily amenable to travelers. Food is not necessarily plentiful, and you’ve come at the wrong time if you want a good bit of fish along the way. Sometimes the waters are dark and quiet; sometimes they are abundant and loud.”

“Thank you. I’ll keep that in mind.”

“You know, perhaps you’d like some company along the journey.”

“No, thank you. I prefer to travel alone.”

“Where are you heading?”

“A good way far from here. Toward the city.”

“That’s a good while away. About a month’s journey with little rest. I happen to be heading some of that way myself.”

“I’m fine, thank you.”

“If that’s what you so wish. But you best be careful. And perhaps we will run into each other along the way.”

“Perhaps we will. Well, I should probably make the most of the time, before the tide comes in and stops my leaving. Thank you for the information.”

And with that, they packed the last of their things, left the last of the embers to go out, nodded at the robed figure and left.

As they walked across the beach and the waves tried to reach for their feet, they felt as though the robed figure was watching them, trying to get a good sense of who they were. It was unnerving; the conversation was simple, straightforward, and they didn’t give much of anything; nothing important to the delivery, anyway.

It was as though the figure was looking through the conversation, seeing past the words and trying to work out a truth, though little, if anything of what they said could be seen as untrue.

They felt it best to keep their pace brisk, try and save a day on their journey, and so once they were off the beach they moved quickly. It was easier in the cold of the morning, and that cold would persist for a good part of the day. The nearest town was a few days away, but so was the last one they visited. If they got there sooner, then they’d have time to work out some different routes. They couldn’t help but feel they were now being followed.

The time it took to write one thousand words: 29:17:22

Slow, but that’s fine for this one, I think.

I’d been meaning to continue this for a while now, but things get away some times. I don’t think what I’ve written here is that good, but I do think it is better than a good chunk of other things I’ve written, especially recently.

I’m trying to further story and narrative, and work out the whole worldbuilding thing I’m trying to do. It’s taking time and I’m getting there, and if I keep chipping away, maybe everything will fall into place.

The other bits I’ve written:

An Interaction
A Heavy Storm
A Fishing Day Commences, A Fishing Day Ends
A Passion for Boats, Leaving Home
A Rest at a Beach

Written at home.

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