Hiroki Kikuta: Fable

One listen for this one but there was a bit of a struggle to get there.
Mostly life getting in the way. Then being really tired today.

I don’t think the result is anything good. I get an idea of the song across but there’s not really much that says anything about it, if that makes sense.

Hiroki Kikuta’s (菊田 裕樹) “Fable” (“寓話”) is from Seiken Densetsu 3 Original Sound Version, the soundtrack for Seiken Densetsu 3.

I hope you enjoy.

Woodwind drifts upon a weak breeze whilst piano flows upon underneath, trying to reach up and not quite being able to do so However, soon the woodwind is joined by another and the piano is able to not so much reach but at lest keep following underneath. They move with both quickness and slowness and soon the breeze picks up, lifting them a little higher.

There’s almost a hesitation but something comes forward in the sounds. There is importance and seriousness. Eventually the woodwind fades and the keys are left to continue on and they finally reach, but are too late and so the process starts again.

Through the mystery of it all clarity is found and it becomes apparent that a tale is being woven into reality, though it always was. In the space the sounds hit hard, but without aggression, and the full picture reveals itself. The sounds move with a smoothness toward a destination that is known, though they cannot hold and once more it is the piano left, and the song ends.

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Five-Hundred Word Challenge 1136: Being Tired

It is a day lost to the terror of being tired but I plan to salvage what I can. I need to run around a bit and pick up some pieces but that should hopefully not take too long… I hope.

It is sunny, I am inside and I am tired but I’m okay. There are far, far worse things out there that could be happening to me right now so I feel that this is okay. This is alright. It just means that I need to get more rest. Less rest does not serve me well, but more rest just might. More rest might mean more potential to do things at a later date, but right now the concern is centered more on doing things now. Later is not here yet; now is here now and therefore I need to deal with now and not later. However, later on I might deal with later, but that’s for then. But I digress.

It is a cold day and it is a warm day. This room does not like warming up and it does not like cooling down and so these things happen in a delayed manner. This is not something I particularly like, but what am I going to do? Make more windows? Create some sort of insulation for which I can take advantage of by somehow installing it in places where it needs to be installed, therefore leading to a happier life somehow? I don’t think that this would work at all and I don’t think I should continue on with that train of thought, but that’s neither here nor there.

I think what I should do is write and write and write some more. I think I can get a fair bit done today but it still is early in the afternoon. Soon it will no longer be early in the afternoon but right now it is early in the afternoon and so therefore I should take advantage of the time that is remaining. There is plenty of light right now and plenty of tiredness to battle through and so therefore I think I can get somewhere, but where that somewhere is is yet to be determined. However, where it is is right here, albeit with a good deal of things done.

So anyway, I think that now that the day continues to creep along with whatever it is creeping along with, I must make the announcement that I am getting on with the getting on and kicking on with the kicking on and I think that, with that being said, there needs to be some sort of celebration for it took a lot of energy to get that much forward and I think I can get a bit more, but I don’t completely know. There still is a fair bit of the day left and there is a fair bit more to write, however, so therefore you know how the rest of this will go, I think.

The time it took to write five-hundred words: 05:06:91

I don’t think this turned out well. I needed to get something down just to try and push through the fatigue, but I also think this could’ve been better. Quick though.

Written at home.

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Lights on at Sunset

I processed quite a few photos today such as the one below.
This is one I took… two months ago? Not entirely sure right now, but it’s not important.

I think the colours came through really well. I like how there’s a bit of artificial illumination as it seems dim and covering a really small area relative to the surrounding space.

I also like the softness in the clouds and how the sunset appears strong, albeit fading.

I hope you enjoy.

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Henry Head Lighthouse

Ah, Henry Head Lighthouse, the lighthouse of Henry Head.

Perhaps I let too much light into this photo as the lighthouse is brighter than it should be, but I do like the framing of the shot.

I hope you enjoy.

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An Urban Reach

Named as such due to Port Botany and Sydney CBD both being visible.
A bit of La Perouse and Bare Island being visible is nice if only due to more vegetation being present, but much like those parts of the photo, the port and city loom in the background, remaining a reminder of how easily we encroach upon and spread through things.

Pleasant enough scenic photo though.

This is my submission into the two hundred-and-eleventh Lens-Artists Photo Challenge.
The theme for this one is “What’s Your Groove?”.

Not entirely sure what my groove is as I like shooting a lot of different things such as the below. Generally lines, form and function interest me more than other things, but I just like photography overall.

The host of the Lens-Artists challenges cycles weekly between the following people:

Week 1 – Tina

Week 2 – Patti

Week 3 – Ann-Christine aka Leya

Week 4 – Amy

Week 5 – John Steiner

Week 6 – Sofia Alves

Week 7 – Anne Sandler

Week 8 – Guest host

This one is hosted by Anne Sadler. Patti hosts the next one.

I recommend participating in the challenges. They’re enjoyable and allow room for interpretation of the theme without straying too far. If you don’t participate, then I recommend that you at least check out what others of the Lens-Artists community are submitting.

I hope you enjoy.

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Five-Hundred Word Challenge 1135: Attitudes in Music

Just now I had to make a decision that I do not agree with, or at least made the decision to make a decision that I do not agree with as it’s a decision to support a writer who wrote about a new album from a band who have a member who may have done something pretty awful.

I’m keeping things vague for a number of reasons and I’m going to speak to the writer and see what they want to do, but if they want to go ahead I’m publishing the article. I don’t feel good about this and I may pull it at a later date depending on how things progress, but I want to support the writer’s writing.

I feel really conflicted about this one. We don’t talk enough about the behaviour and attitudes in music and we really need to talk about this more. There’s just far too much fucked shit going on in music and too often we give it a pass or ignore it because we can. I think a lot of people don’t want to consider the fact that bands and artists they like might be problematic in some way and so it is easier to deny and sweep under the rug or point fingers elsewhere, and so on and so forth. Willful and aggressive ignorance.

Part of the issue here is that the band this writing is about are distancing themselves from the member who may be problematic. I say may because the issue appears clear cut but I’m yet to have the full picture, but I digress.

The rest of the band are distancing themselves; Is it fair to deny an article written about them when they’re, by all appearances, being proactive where they can about distancing themselves from a pretty serious issue? I don’t know if there is an answer to this that is more correct than another, but it certainly is something worth thinking about.

I’m not someone massive in the music industry. I don’t even know if I could be classified as being small in the industry. Regardless, I think it is important that I consider these things. I also think it is important for everyone who works in the music industry in any capacity to think about these things. There is a lot that we can support, knowingly or otherwise and we need to make sure that we are supporting things that lead to positive change. Too often support does not.

We shouldn’t sweep things under the rug; What we do and do not publish and promote can have a pretty serious impact when it comes to abetting shitty behaviour. It’s good that this kind of stuff is being more actively addressed and it is good that things seem to be changing and moving into a more positive and supportive direction. The music industry doesn’t have to thrive on supporting shitty behaviour and attitudes. That said, there remains a lot of work that needs to be done.

The time it took to write five-hundred words: 15:40:94

This was a bit of a difficult write as I was trying to make sure I got my point across without this being a lengthy and empty rant. I think I got there in the end, but perhaps putting this as a challenge was a rather inappropriate way to go about doing so.

Written at home.

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A Path on the Border

This photo is less about the path and more about the scene, but what a scene.

Okay, so maybe it’s not the best scene in the world but I think there’s a nice balance in what is visible.

I hope you enjoy.

 

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Joe Hisaishi: Promise… For Us

Writing this was mostly straightforward.
There was a part where I went back for a moment as I wasn’t sure as to when a sound started and so wanted to make sure, but I could’ve waited for the song to restart.

I think I got across something here. There’s an idea of the song but I feel that I let myself be a little too limited in what I wrote.

Joe Hisaishi’s (久石譲) “Promise… For Us” is from the soundtrack for Kids Return.

I hope you enjoy.

A gentle sound echoes in a space. Soon it is joined by a synth that stretches. There is something forming and it becomes more apparent once the percussion comes in.

The percussion seems to roll and hold on certain points and soon it too is joined by bass. The echoing sound disappears whilst the synth, bass and percussion move along with a sense of flow that carries the emotion on its form.

A small bit of space and the echoing sound returns. Something akin to guitar that had supporting is there for a moment, though like the bass it disappears. There’s a sense of space and a sense of pause before the bass and guitar return, and all flows with the weight of emotion and the weight of seriousness.

Perhaps it is a parting that is coming forward on the groove; perhaps it is a sense of danger and uncertainty. It is difficult to tell, but it permeates with an ease as there is little need for subtlety here, though there is some of that too. Rhythm dominate and in a moment the percussion pulls back. The echoing is there, as is the synth and the bass and all seems to be in unison.

More space for a moment. More pause. Sounds return once more. Sounds move with a firm seriousness. A decision is formed, as is the will to see it through and so all resume with that determination held firm.

The sounds continue on without looking for a climactic moment and soon their rhythmic pulse pulls away, leaving the synth to draw out at the song’s end.

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Five-Hundred Word Challenge 1134: Rambling, then something about creating

Last night I was meant to share a photo here but I think I was too tired to do that as it required the bare minimum of thinking and I didn’t have much energy by the end of the day. It wasn’t a busy day but I think my walk in the morning took it out of me as I burned a lot of the energy I had in one go and I didn’t quite recover. Such is the way of things when you go too hard, or at least when I go too hard.

I think that there is a lesson in there somewhere about utilising resources and making sure you have enough to get through a day but it is a lesson I refuse to learn and so in refusing to learn I will continue on my journey of tiring myself out as much as possible whenever possible so as to be able to do as little as possible in order to become a better version of myself.

It’s a long path.

I think that today should be a good day, but most days should be good days, but most days are just days and I’m just trying to have them represent more than what they are. Then again, maybe I’m trying to have them represent less than what they are and ultimately I can’t, and truthfully I have no idea as to what it is that I’m going on about. As such, the most optimal option here would be to just stop but I won’t do that as I have space to take up and I need to take up that space by going on at length about things that don’t matter.

Maybe I should strive to write the longest thing I can that is also completely devoid of any content. I wonder if that is possible. Perhaps it is; maybe not today, but I imagine some time down the track once I’ve mastered the art of advising of and providing absolutely nothing in far too many words to make it worth the time to read, and yet somehow you’re captivated to continue on just in case, if that is indeed even an art at all.

I believe it could fall under the art of deception.

Anyway, I think that there are times where there are other, more pertinent things to consider, but perhaps this is a goal that I should work toward. Perhaps it is a goal of the most lofty of goals and I should work toward it and get to where I want to get to on that path which is the end of the path. However, I need to remember that there is no end point in the process of creation for you always work to improve and get better. You dedicate yourself and you follow that which you need to follow and you just keep on going for it is an ongoing process of learning and growing as an artist, or something.

The time it took to write five-hundred words: 05:59:68

Took me far too long to get anywhere with this.
Perhaps it could’ve been a rumination on the process of creation.
Oh well.

Written at home.

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Junya Nakano: This is Your Story

Four listens for this bit of writing and it didn’t work well.
I struggled a bit with this one and I think it may have been thinking about how much I’ve covered songs from this particular soundtrack and this artist in particular.

I tried to go for more of a sense of mood and some of it came across but overall I think I was too vague.

Junya Nakano’s (仲野順也) “This is Your Story” (“これはお前の物語だ“) is from Final Fantasy X Original Soundtrack, the soundtrack for Final Fantasy X. Whilst Nobuo Uematsu composed most of the game’s songs, both Junya Nakano and Masashi Hamauzu (浜渦 正志) contributed as the soundtrack was a collaborative effort. The result was a pretty strong work with music that matched Final Fantasy X‘s setting really well.

I hope you enjoy.

Piano plays with a tender sadness whilst other sounds move with a sense of inevitability. They weigh heavy, as though soon undesirable change is to occur in a sudden manner. They rise, almost being pulled from a long dream.

A slight lowering before more weight comes forward and sounds strike out and stir and fill out before pulling away. What is left shimmers as piano slowly descends to depths before suddenly playing one last strike.

Strings gradually build in intensity before suddenly stopping for the change finishes and there is nothing left at the song’s end.

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