Not too sure what to say with this one.
I tried to just write but I couldn’t switch off. I think the result is fine but it doesn’t say enough about the song.

Principles of Geometry’s “Springed Dodge” is from Burn the Land & Boil the Oceans.

I hope you enjoy.

—

Low. A dawning. Something hums on the horizon and it slowly moves into view, revealing details that seemed impossible.

Suddenly everything is there. A beat pulses away and a sound oscillates in grandiosity. Other keys sounding specifically like piano holds a steadiness and attachment; it anchors.

Suddenly those keys seem to warp and reverse, and soon something akin to voice comes in. It seems mechanical and detached and it sounds almost like words. The sounds continue to seemingly destabilise, but they remain firm. They remain anchored to the beat and the oscillation. The keys keep warping, occasionally extra beat comes in and it all holds grandiosity and drama, but it seems menacing in a way. Still, it doesn’t seem imposing.

Eventually the final beat is struck and the oscillating sound draws out its last moment in stability. The warping has finished and it disappears quickly into the horizon. The beat then returns but at a distance, and something seems to rise and move closer, and it moves rapidly but it suddenly stops as the song ends.