Five-Hundred Word Challenge 623: On an Archive

A few months ago I was going through an old external hard drive to find something specific. I found that thing, but I also came across an archive of one of three older blogs which I “ran” well before Stupidity Hole.

I started off with one blog which eventually grew to three. They were mostly the same, but at one point I decided to have them branch apart and have some different posts from each other. This was around a time when I was slowing down in my writing. It was a few years before I’d get fully engaged in the act (and art[?]) of writing once more, but that’s something I’m not going to get into at the moment as I want to write about this archive of which I’ve uncovered.

Well, there isn’t really much to say about it, now that I find myself trying to write about my discovery of an archive of my past.

Well, I guess I can try and describe it with whatever words I have available to use to describe things at this given time.

The best way I can describe a lot of what I wrote is that it’s worse than what my writing is currently like, which either says a lot or not much at all.

I’m not sure if I’m embarrassed by some of it or not, but I can say that I’m glad I don’t write in the way I used to, as a lot of it is quite… well, rough is probably the best way to put it.

To put this into perspective, I’m looking at writing I wrote from 2005 to early 2008. It’s a solid chunk of stuff that is mostly stuff I’m happy to never use among some stuff I might just pull out and put on parade for all to see when the right time comes. Maybe there will be some editing. Maybe there will be no editing. Either way, if it shows up, then it shows up. If it does not show up, then it does not show up. I believe that that is the way that some of the things work, as opposed to all of the things.

There is something that in all of the roughness, I find I did better. I think that I’ve become a little too clinical in some parts of my writing that I could probably work on trying to pull back on, but maybe I shouldn’t. All of the rough stuff is a little less clinical which I can’t help but find myself appreciating; at least, to some extent that is.

Maybe I’ll look over that stuff again soon. Maybe I’ll forget about it for a while. Really not sure at this stage. The only thing I do know is that an archive of my old stuff exists, which in one way makes me happy as I’m a bit of a hoarder. However, being able to see how I’ve changed as a writer is something I appreciate more.

The time it took to write five-hundred words: 11:01:39

Slow. I struggled with this.

Thought it was going to be a bit easier to write. Maybe it’s a good thing that I struggled. Not sure.

Written at home.

 

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A Collection of Buildings

This shot is rather similar to a few shots I’ve taken of the same area.

Right now I think the main difference is that this shot shows a little bit more of The Rocks rather than Circular Quay, no doubt in part due to the ship being in its location.

I like that there’s a few different styles of architecture as it gives an idea of the area’s history.

This is my submission into the eighty-second Lens-Artists Photo Challenge.

The theme for this one is “Cap·i·tal“.

As this photo displays part of Sydney, I feel that it fits the theme.

The challenge is hosted by four people and cycles weekly:

Week 1 – Patti

Week 2 – Ann-Christine aka Leya

Week 3 – Amy

Week 4 – Tina

This one is guest hosted by Viveka of My Guilty Pleasures. The next will be hosted by Leya.

I recommend checking out the challenge to see how people interpret each theme.
I also recommend giving it a go.

I hope you enjoy.

 

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Pelican on the River

Behold, a pelican in all its existence floating on a river, navigating the treachery of somewhat-gentle water!

So this photo isn’t so much about the pelican as it is about the “Reflections” on the river’s surface.

Some are clear and some are slightly vague, which I think is interesting.

I think the sky’s colours help with that to some extent.

Maybe the photo is about the pelican. Maybe the pelican is trying to find a way to navigate even though it is keenly aware that the only way around the rubbish trap is to go over rather than around.

This is my submission into Leanne Cole‘s TPM photo challenge for this week.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

I hope you enjoy.

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…And You Will Know Us by the Trail of Dead: Live at Manning Bar 15/08/2015 Review

This was the first live review that I did for Cool Try.

It’s… well, it could’ve been better.

I think the review might be a little too formal.

Oh well. Learning process and all that.

Some slight edits made to clean up spelling, but otherwise this is as it was.

Most of my review and interview work is now on Culture Eater.
My colleague and I set up a Patreon to further develop Culture Eater as a source of good quality arts coverage from both ourselves and our contributors.

We’re looking at what we can give to supporters as we don’t want to set up a one way relationship, so suggestions are welcome. One of the things we’ve set up is a podcast with each episode coming out fortnightly to every three weeks. Please consider supporting, or at least sharing the Patreon page with others.

Please also check out what our wonderful contributors are contributing.

Anyway, I hope you enjoy.

The first support of the night was Heads of Charm.
Unfortunately I arrived late and saw only the last six minutes of their set, but their use of noise indicated that they’re a band to keep an eye on.

Solkyri followed shortly after.
Their music was somewhat interesting but the performance aspect felt quite rehearsed; something that was a bit of a letdown. Their drummer was amazing though. He played with a great intensity and passion that the other members should have fed off.

The Red Paintings were up next.
They played a tight, energetic set, consisting mostly of songs from The Revolution is Never Coming. Everyone was in top form and whilst they were a member down and had a backing track at times, put on an excellent performance that was, sadly, shorter than it should have been.

Shortly after, and to much fanfare, …And You Will Know us by The Trail of Dead came on and got into their set quickly.

Much of their playing came off as effortless as they moved through each song and despite continual pauses for instrument changes, their performance was quite smooth.

Aside from some minor vocal issues (Conrad Keely’s voice broke on some notes early in the set and became nigh-incomprehensible during parts of “A Perfect Teenhood”), Trail of Dead sounded quite good. Nothing was being drowned out by anything else which meant the songs had breathing space.

As this was part of their twentieth anniversary tour, they mostly played tracks from their back catalogue whilst the new album (IX) had only two songs covered.

It seemed there was bias towards some albums (Worlds Apart, Source Tags & Codes and Madonna had the biggest representation, one track from Lost Songs was played whilst nothing from their other albums was played), so it is difficult to say that there was a fair representation of their history, other than what could be considered some key moments.

However, their set list was ridiculously short (only thirteen songs) so I can only guess that had they been able to play for longer, they probably would have covered a lot more ground.
Whilst the instrument changes didn’t feel as though they were interrupting, the set list could have been better arranged to ensure it was minimised.

With that being said, the set list didn’t feel unbalanced and they songs they did play sat well with each other, almost as though they could have been from the same album.

Ultimately, it wasn’t the best performance but it was satisfying. It didn’t feel as though Trail of Dead were going through the motions; far from it. It felt it could have been better though. However, despite the short set list and playing time, their performance did feel complete. It left me and (I’m sure) the rest of the audience looking forward to seeing them play next time.

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Valley

Another shot of Sydney Opera House.

What I like about this one is just how massive this part of the building feels. It seems like its dwarfing the people in the shot as it is.

One of the few times I’m fine with the human element, though I think the photo would work without the people in the shot.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week.
I suggest checking out Leanne’s photography, as well as checking out what other people submit.

A lot of what people are submitting will likely end up here.

I hope you enjoy.

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Lord Ahriman

Of Dark Funeral.

If I remember the performance correctly, Lord Ahriman spent little time moving and thrashing about, but there still was energy coming from him and his playing.

I think there’s something strong about the Lord Ahriman’s form. I also think that the shape of his apparel is interesting.

This is my submission into the eighty-first Lens-Artists Photo Challenge.

The theme for this one is “Find Something Red“.

The challenge is hosted by four people and cycles weekly:

Week 1 – Patti

Week 2 – Ann-Christine aka Leya

Week 3 – Amy

Week 4 – Tina

This one is hosted by Patti. The next will be guest hosted by Viveka of My Guilty Pleasures.

I recommend checking out the challenge to see how people interpret each theme.
I also recommend giving it a go.

I hope you enjoy.

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Five-Hundred Word Challenge 622: Here Rather Than There

And so I can only think about how it is that I’m here, rather than there, wherever there may be, but of course the answer just so happens to be the one that is the most obvious, and it involves the power of legwork as a mode of transport from one location to another. It may also involve sitting, but soon I will have to relocate as there will need to be the getting of the ready followed by the heading off to the work.

Riveting stuff, let me tell you.

Anyway, I’m here, not there and there is not here. It is, however, there. What does this all mean? It could mean a many thing. It could mean that all locations are not in one location, but instead spread over many a different location with varying amounts of distance between each one relative to another one. It could mean that. It could also mean that perhaps all locations are just one location but the way that we perceive them is as spread over distances relative to each location so as to make sure that we perceive things in a way we can understand, lest we go mad from the revelation, or something. It is possible.

However, it is likely that if this were indeed the case, the only reason why we’d go mad from the revelation is due to being born into the world with a certain kind of perception, only to have that perception shattered, or something. Really not sure on that one, to be honest. Perhaps it requires some sort of research, but I’m not feeling much like doing much research as right now my ears are preoccupied with listening to music and the research would take away from that. It would also take away from the writing of whatever it is that I’m writing and I know where I’d rather focus my attention.

Of course, it doesn’t matter anyway as we’d still be in a position of traversal being required. Perhaps that traversal would not be completely required all the time, but sometimes it would and it is a subtle art that needs mastering so as to feel as natural as it can possibly feel; Something to consider, but something not wanting to be considered.

Or maybe it does want to be considered as is wanting someone to do just that, but the only way it can get that interest piqued is through subtle hinting rather than overt displays of telling, but the subtlety is so subtle that instead of anyone getting it, they just marvel at the sublime beauty of environment and nature, then get on with their lives, as that is the way it has always been and will always be.

If that is indeed the case, then, well, there’s little else to say about the subject unless the digging starts and we really begin to question the perception of traversal we hold, but then again, maybe that’s gone as far as it can.

The time it took to write five-hundred words: 06:54:01

Wrote this yesterday, then sat on it for no reason.

A lot of rambling of which I’m happy with.

I really like the nothingness of this post.

Written at home.

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A Side of Canterbury Station

I wonder how often people use this side of Canterbury Station. It appears as though it was once a platform in use, though now trains only pass by this side.

I think that when I took this shot I like the contrast between the shade and light, as well as what I feel is a strong sense of distance.

I also like that the shot impresses a sense of quiet and space.

This is my submission into Leanne Cole‘s “Monochrome Madness” for this week.
I suggest checking out Leanne’s photography, as well as checking out what other people submit.

A lot of what people are submitting will likely end up here.

I hope you enjoy.

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Gulls of the Sea

As you can see, here is a shot of gulls of the sea as seen in a location found somewhere in the ocean.

It’s not often I get to see birds floating on water, so I was pretty willing to get this shot.

I like that most of the gulls aren’t settled, as it adds an extra sense of movement to the scene that’s kind of separate from the waves.

I also like that the gulls appear to be within a narrow range. Maybe they were, but I like that in this photo it’s the perspective that causes the effect.

This is my submission into Leanne Cole‘s TPM photo challenge for this week.

This week’s theme is “Birds”.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

I hope you enjoy.

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Moon in the Noisy Sky

This shot was taken either shortly before or shortly after this one. Pretty sure it was shortly before.

When processing it I lifted the light levels as it was really dark and the result is what you now see.

I’m not sure as to why the “Moon” came out so bright, though I imagine it was due to my settings for the shot.

I’m not sure what it is about this image, but there’s something that I find appealing.

Maybe it’s the sense of quiet.

This is my submission into Leanne Cole‘s TPM photo challenge for last week.

I suggest checking out Leanne’s photography, as well as checking out what other people submit into the challenge.

You can find the challenges here.

I hope you enjoy.

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